The Story of Hassebu

by Andrew Lang · from The Violet Fairy Book

fairy tale transformation hopeful Ages 8-14 1856 words 9 min read
Cover: The Story of Hassebu

Adapted Version

CEFR A1 Age 5 372 words 2 min Canon 100/100

Once, a boy named Hassebu lived with his mother. He did not like to work. His mother was kind. She said, "Stay home, my son."

One day, Hassebu found his father's book. He read the book every day. The book was about medicine. He learned from the book.

Some men cut wood. They asked Hassebu to help. He went with them. One day, it rained. Hassebu found a big hole. It was full of sweet honey!

The men were happy. They asked Hassebu to get the honey. He went into the hole. The men took the honey away. They left Hassebu in the hole. He was alone. He felt scared.

Hassebu was not afraid. He looked for a way out. He found a small hole. He dug with his hands. He got out! He saw a path.

He walked on the path. He found a big house. The door was gold. He went inside. He slept on a soft bed.

The Snake King came home. He saw Hassebu. He was kind. He said, "Hello, boy." Hassebu stayed with the Snake King. They were friends.

After some days, Hassebu wanted to go home. The Snake King was sad. He said, "Do not tell people about me." Hassebu promised. The Snake King helped him go home.

Hassebu's mother was so happy. But the Sultan was sick. He needed help from the Snake King. The Vizir looked for Hassebu. The Vizir knew Hassebu had a special birthmark.

Hassebu forgot his promise. He went to a public place. The Vizir saw him. He asked Hassebu to find the Snake King.

Hassebu went back to the Snake King. He said, "I am sorry." The Snake King was still kind. He gave Hassebu magic water. He said, "This water will help."

The Snake King became magic water. Hassebu took the water home. He gave some to the Sultan. The Sultan was not sick anymore. The Vizir drank the wrong water. He fell asleep. He could not be bossy now.

Hassebu became a great helper. He helped many people. He was happy. He always remembered the Snake King's kindness.

Hassebu learned that being kind and brave can bring good things. Even when things are hard, helping others is important.

Original Story 1856 words · 9 min read

THE STORY OF HASSEBU

Once upon a time there lived a poor woman who had only one child, and

he was a little boy called Hassebu. When he ceased to be a baby, and

his mother thought it was time for him to learn to read, she sent him

to school. And, after he had done with school, he was put into a shop

to learn how to make clothes, and did not learn; and he was put to do

silversmith’s work, and did not learn; and whatsoever he was taught, he

did not learn it. His mother never wished him to do anything he did not

like, so she said: ‘Well, stay at home, my son.’ And he stayed at home,

eating and sleeping.

One day the boy said to his mother: ‘What was my father’s business?’

‘He was a very learned doctor,’ answered she.

‘Where, then, are his books?’ asked Hassebu.

‘Many days have passed, and I have thought nothing of them. But look

inside and see if they are there.’ So Hassebu looked, and saw they were

eaten by insects, all but one book, which he took away and read.

He was sitting at home one morning poring over the medicine book, when

some neighbours came by and said to his mother: ‘Give us this boy, that

we may go together to cut wood.’ For wood-cutting was their trade, and

they loaded several donkeys with the wood, and sold it in the town.

And his mother answered, ‘Very well; to-morrow I will buy him a donkey,

and you can all go together.’

So the donkey was bought, and the neighbours came, and they worked hard

all day, and in the evening they brought the wood back into the town,

and sold it for a good sum of money. And for six days they went and did

the like, but on the seventh it rained, and the wood-cutters ran and

hid in the rocks, all but Hassebu, who did not mind wetting, and stayed

where he was.

While he was sitting in the place where the wood-cutters had left him,

he took up a stone that lay near him, and idly dropped it on the ground.

It rang with a hollow sound, and he called to his companions, and said,

‘Come here and listen; the ground seems hollow!’

‘Knock again!’ cried they. And he knocked and listened.

‘Let us dig,’ said the boy. And they dug, and found a large pit like a

well, filled with honey up to the brim.

‘This is better than firewood,’ said they; ‘it will bring us more money.

And as you have found it, Hassebu, it is you who must go inside and dip

out the honey and give to us, and we will take it to the town and sell

it, and will divide the money with you.’

The following day each man brought every bowl and vessel he could find

at home, and Hassebu filled them all with honey. And this he did every

day for three months.

At the end of that time the honey was very nearly finished, and there

was only a little left, quite at the bottom, and that was very deep

down, so deep that it seemed as if it must be right in the middle of the

earth. Seeing this, the men said to Hassebu, ‘We will put a rope under

your arms, and let you down, so that you may scrape up all the honey

that is left, and when you have done we will lower the rope again, and

you shall make it fast, and we will draw you up.’

‘Very well,’ answered the boy, and he went down, and he scraped and

scraped till there was not so much honey left as would cover the point

of a needle. ‘Now I am ready!’ he cried; but they consulted together and

said, ‘Let us leave him there inside the pit, and take his share of the

money, and we will tell his mother, “Your son was caught by a lion and

carried off into the forest, and we tried to follow him, but could not.”’

Then they arose and went into the town and told his mother as they had

agreed, and she wept much and made her mourning for many months. And

when the men were dividing the money, one said, ‘Let us send a little to

our friend’s mother,’ and they sent some to her; and every day one took

her rice, and one oil; one took her meat, and one took her cloth, every

day.

It did not take long for Hassebu to find out that his companions had

left him to die in the pit, but he had a brave heart, and hoped that

he might be able to find a way out for himself. So he at once began to

explore the pit and found it ran back a long way underground. And by

night he slept, and by day he took a little of the honey he had gathered

and ate it; and so many days passed by.

One morning, while he was sitting on a rock having his breakfast, a

large scorpion dropped down at his feet, and he took a stone and killed

it, fearing it would sting him. Then suddenly the thought darted into

his head, ‘This scorpion must have come from somewhere! Perhaps there is

a hole. I will go and look for it,’ and he felt all round the walls of

the pit till he found a very little hole in the roof of the pit, with

a tiny glimmer of light at the far end of it. Then his heart felt glad,

and he took out his knife and dug and dug, till the little hole became

a big one, and he could wriggle himself through. And when he had got

outside, he saw a large open space in front of him, and a path leading

out of it.

He went along the path, on and on, till he reached a large house, with a

golden door standing open. Inside was a great hall, and in the middle

of the hall a throne set with precious stones and a sofa spread with

the softest cushions. And he went in and lay down on it, and fell fast

asleep, for he had wandered far.

By-and-by there was a sound of people coming through the courtyard, and

the measured tramp of soldiers. This was the King of the Snakes coming

in state to his palace.

They entered the hall, but all stopped in surprise at finding a man

lying on the king’s own bed. The soldiers wished to kill him at once,

but the king said, ‘Leave him alone, put me on a chair,’ and the

soldiers who were carrying him knelt on the floor, and he slid from

their shoulders on to a chair. When he was comfortably seated, he turned

to his soldiers, and bade them wake the stranger gently. And they woke

him, and he sat up and saw many snakes all round him, and one of them

very beautiful, decked in royal robes.

‘Who are you?’ asked Hassebu.

‘I am the King of the Snakes,’ was the reply, ‘and this is my palace.

And will you tell me who you are, and where you come from?’

‘My name is Hassebu, but whence I come I know not, nor whither I go.’

‘Then stay for a little with me,’ said the king, and he bade his

soldiers bring water from the spring and fruits from the forest, and to

set them before the guest.

For some days Hassebu rested and feasted in the palace of the King

of the Snakes, and then he began to long for his mother and his own

country. So he said to the King of the Snakes, ‘Send me home, I pray.’

But the King of the Snakes answered, ‘When you go home, you will do me

evil!’

‘I will do you no evil,’ replied Hassebu; ‘send me home, I pray.’

But the king said, ‘I know it. If I send you home, you will come back,

and kill me. I dare not do it.’ But Hassebu begged so hard that at last

the king said, ‘Swear that when you get home you will not go to bathe

where many people are gathered.’ And Hassebu swore, and the king ordered

his soldiers to take Hassebu in sight of his native city. Then he went

straight to his mother’s house, and the heart of his mother was glad.

Now the Sultan of the city was very ill, and all the wise men said that

the only thing to cure him was the flesh of the King of the Snakes, and

that the only man who could get it was a man with a strange mark on his

chest. So the Vizir had set people to watch at the public baths, to see

if such a man came there.

For three days Hassebu remembered his promise to the King of the Snakes,

and did not go near the baths; then came a morning so hot he could

hardly breathe, and he forgot all about it.

The moment he had slipped off his robe he was taken before the Vizir,

who said to him, ‘Lead us to the place where the King of the Snakes

lives.’

‘I do not know it!’ answered he, but the Vizir did not believe him, and

had him bound and beaten till his back was all torn.

Then Hassebu cried, ‘Loose me, that I may take you.’

They went together a long, long way, till they reached the palace of the

King of the Snakes.

And Hassebu said to the King: ‘It was not I: look at my back and you

will see how they drove me to it.’

‘Who has beaten you like this?’ asked the King.

‘It was the Vizir,’ replied Hassebu.

‘Then I am already dead,’ said the King sadly, ‘but you must carry me

there yourself.’

So Hassebu carried him. And on the way the King said, ‘When I arrive, I

shall be killed, and my flesh will be cooked. But take some of the water

that I am boiled in, and put it in a bottle and lay it on one side. The

Vizir will tell you to drink it, but be careful not to do so. Then

take some more of the water, and drink it, and you will become a great

physician, and the third supply you will give to the Sultan. And when

the Vizir comes to you and asks, “Did you drink what I gave you?” you

must answer, “I did, and this is for you,” and he will drink it and die!

and your soul will rest.’

And they went their way into the town, and all happened as the King of

the Snakes had said.

And the Sultan loved Hassebu, who became a great physician, and cured

many sick people. But he was always sorry for the poor King of the

Snakes.

(Adapted from Swahili Tales,)


Story DNA fairy tale · hopeful

Moral

Even seemingly insignificant individuals can achieve greatness, and kindness, though sometimes tested, can lead to unexpected rewards, while betrayal often leads to its own downfall.

Plot Summary

Hassebu, a lazy boy, discovers a honey pit with woodcutters who then betray and abandon him. He escapes, finds the palace of the King of the Snakes, and is welcomed. Forced to lead a cruel Vizir to the King, Hassebu is given instructions by the dying King to use the water from his boiling to become a great physician and defeat the Vizir. Hassebu follows the King's plan, cures the Sultan, and becomes a respected healer, forever remembering the King of the Snakes' sacrifice.

Themes

betrayal and loyaltydestiny and free willconsequences of actionshidden potential

Emotional Arc

neglect to betrayal to fear to triumph

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: rule of three

Narrative Elements

Conflict: person vs person
Ending: moral justice
Magic: talking animals (King of the Snakes), magical properties of water (from King of the Snakes' boiling)
the honey pit (hidden wealth/danger)the King of the Snakes (sacrifice, wisdom)the mark on Hassebu's chest (destiny, unique identity)

Cultural Context

Origin: Swahili
Era: timeless fairy tale

The story is adapted from 'Swahili Tales,' suggesting an East African origin, where such societal structures and trades would be common.

Plot Beats (13)

  1. Hassebu is a lazy, unlearned boy who stays at home, much to his mother's indulgence.
  2. Hassebu discovers his deceased father's medical book and begins to read it.
  3. Hassebu joins woodcutters, and during a rainstorm, discovers a pit filled with honey.
  4. The woodcutters exploit Hassebu to retrieve the honey, then betray him by leaving him trapped in the pit.
  5. Hassebu, exploring the pit, finds a small hole and digs his way out, emerging into an unknown land.
  6. Hassebu finds a golden-doored palace, falls asleep on a royal couch, and is discovered by the King of the Snakes and his retinue.
  7. The King of the Snakes welcomes Hassebu, who stays for some days, but then wishes to return home.
  8. The King of the Snakes reluctantly agrees to send Hassebu home, extracting a promise not to bathe in public.
  9. Hassebu returns home to his mother, but the Sultan is ill, and the only cure is the King of the Snakes' flesh, to be obtained by a man with a specific mark.
  10. Hassebu, forgetting his promise, goes to the public baths, is identified by his mark, and is forced by the Vizir to lead them to the King of the Snakes.
  11. The King of the Snakes, knowing his fate, instructs Hassebu on how to use the water from his boiling to become a physician and defeat the Vizir.
  12. Hassebu follows the King's instructions, drinks the second portion of water, gives the third to the Sultan, and tricks the Vizir into drinking the first, killing him.
  13. Hassebu becomes a great physician, cures the Sultan, and is loved by all, but carries the memory of the King of the Snakes.

Characters 6 characters

Hassebu ★ protagonist

human child male

Has a strange mark on his chest

Attire: Simple clothing appropriate for a Swahili boy of his time

The strange mark on his chest

Curious, easily influenced, ultimately remorseful

Image Prompt & Upload
A young boy around 12 years old with a determined expression and bright, curious eyes. He has tousled brown hair and a smudge of dirt on his cheek. He wears a simple, earth-toned tunic over trousers, sturdy leather boots, and a worn leather satchel slung over his shoulder. He stands confidently, one hand resting on a tall walking stick, gazing forward as if ready for an adventure. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Mother ◆ supporting

human adult female

Poor, but no specific details given

Attire: Simple, worn clothing of a poor Swahili woman

Tears of mourning

Loving, permissive, easily grieved

Image Prompt & Upload
A middle-aged woman with a gentle, caring expression, wearing a modest long-sleeved dress in soft earth tones, with her hair neatly tied back in a bun. She stands with an open posture, hands lightly clasped in front, radiating warmth and support. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature

King of the Snakes ◆ supporting

magical creature ageless male

Very beautiful

Attire: Royal robes

Royal robes on a snake

Wise, cautious, resigned

Image Prompt & Upload
A regal humanoid figure with scaled skin in shades of emerald green and burnished gold, appearing middle-aged with wise, ancient eyes. He wears an elaborate crown of twisted gold set with gleaming emeralds and tiny serpent fangs. His attire consists of a long, flowing robe of deep green velvet, intricately embroidered with patterns of coiling snakes in silver thread. His hair is slicked back, revealing more scales along his temples, and his expression is calm yet commanding, with a slight, knowing smile. He stands upright with a dignified posture, one hand resting on a scepter topped with a carved serpent head. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature

Vizir ⚔ antagonist

human adult male

No specific details given

Attire: Rich robes befitting his high status

Whip in hand

Deceitful, cruel, power-hungry

Image Prompt & Upload
A middle-aged man with a sharp, gaunt face and a sinister, calculating expression. He has a neatly trimmed black goatee and piercing dark eyes. His hair is black, slicked back severely. He wears opulent, layered robes of deep crimson and black silk, embroidered with gold thread in geometric patterns. A large, ornate gold medallion hangs from his neck. His posture is rigid and imperious, standing tall with his arms crossed over his chest, exuding an aura of cold authority and menace. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Sultan ○ minor

human adult male

Ill, but no specific details given

Attire: Luxurious robes of a Sultan

Lying ill in bed

Sickly, grateful

Image Prompt & Upload
A young boy of about ten years old with olive skin and dark curly hair. He wears an elaborate golden silk tunic with intricate red embroidery, a white sash, and a small jeweled turban. His expression is one of proud curiosity, standing with his shoulders back and chin slightly raised. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Woodcutters ⚔ antagonist

human adult male

No specific details given

Attire: Simple work clothes

Axe over shoulder

Greedy, treacherous

Image Prompt & Upload
A middle-aged man with a gaunt, angular face and a jagged scar across his left cheek. His eyes are a cold, pale grey, glaring with malice. He has a thick, unkempt beard and matted, dark hair. He wears a worn, dark brown leather jerkin over a roughspun grey tunic, heavy boots, and patched trousers. He stands in a wide, aggressive stance, holding a large, sharp woodcutter's axe with both hands, its blade glinting. He is positioned at the edge of a dark, misty forest clearing at dusk. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
No image yet

Hassebu's Home

indoor morning

A poor woman's dwelling, containing a dusty collection of her late husband's books, mostly eaten by insects.

Mood: Humble, slightly neglected, a place of simple living.

Hassebu discovers his father's book and begins his journey.

medicine book dust insects
Image Prompt & Upload
Late afternoon sun slants through a single grimy window, illuminating swirling dust motes in a cramped, humble room. Rough-hewn wooden beams support a low ceiling. A small, wobbly table and a simple wooden chair sit on the packed earth floor. Upon the table and spilling from a broken shelf, a collection of old, leather-bound books lies in decay. Their spines are cracked, pages yellowed and brittle, riddled with intricate networks of insect holes and fine, powdery frass. The air is thick with the stillness of forgotten time, the light casting long, soft shadows across the scene of quiet neglect. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Honey Pit

outdoor Rainy on the seventh day

A large, well-like pit in a rocky area, filled almost to the brim with honey.

Mood: Initially promising and sweet, later treacherous and isolating.

Hassebu is abandoned by the woodcutters.

honey rope rocks hollow ground
Image Prompt & Upload
Late afternoon sun casts long shadows across a rocky clearing, illuminating a deep, circular pit hewn from ancient stone. The pit is filled to the brim with thick, viscous honey, its surface a gleaming, unbroken pool of liquid gold. Warm amber light radiates from the honey, reflecting onto the surrounding jagged, mossy rocks and weathered stone edges. The air is still and clear, with a few wildflowers growing in the cracks of the sun-baked earth nearby. The scene is serene, magical, and intensely golden. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Palace of the King of the Snakes

indoor

A grand hall with a golden door, a throne set with precious stones, and a sofa spread with soft cushions.

Mood: Magical, opulent, and initially welcoming.

Hassebu meets the King of the Snakes and gains knowledge.

golden door throne precious stones sofa snakes
Image Prompt & Upload
A grand hall within the Palace of the King of the Snakes, viewed at twilight through towering arched windows casting long, soft blue shadows across a polished obsidian floor. The centerpiece is a massive, ornate golden door, intricately carved with coiling serpents, its surface gleaming with warm, reflected light. At the far end, a magnificent throne sits upon a dais, its frame studded with glowing emeralds, sapphires, and rubies that pulse with a faint inner light. Nearby, an elegant sofa draped in deep crimson and sapphire velvet cushions rests on a richly patterned rug. The high, vaulted ceiling is supported by dark stone pillars wrapped in detailed stone serpent reliefs. The atmosphere is still and majestic, illuminated by the dying sun and the gemstones' ethereal glow. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Public Baths

transitional morning Hot

A place where many people gather to bathe.

Mood: Public, communal, fateful.

Hassebu breaks his promise and is captured.

bathing people water robes
Image Prompt & Upload
Ancient public baths carved into a cliffside, late afternoon sunlight streaming through high arched openings, illuminating swirling steam that rises from turquoise thermal waters. Weathered marble columns and tiered stone pools reflect golden light, intricate mosaic floors depicting mythical sea creatures visible beneath the clear water. Lush ferns and moss cling to the damp stone edges, droplets glistening. A serene atmosphere of timeless relaxation, warm amber and cool aqua tones dominating. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration