The One-Handed Girl

by Andrew Lang · from The Lilac Fairy Book

fairy tale transformation hopeful Ages 8-14 5400 words 24 min read
Cover: The One-Handed Girl

Adapted Version

CEFR A1 Age 5 805 words 4 min Canon 100/100

Once upon a time, there was a kind girl. Her name was Amani. She lived with her mother and father. Her brother was Juma. They were a happy family in their small house. Amani helped at home every day. Juma liked to play outside.

One day, Father got very sick. He called his children to him. "I will go away soon," he said. "Choose: do you want my blessing, or my things?" Juma said, "I want your things." Amani said, "I want your blessing." Father gave his blessing to Amani. That night, he passed away gently.

Later, Mother also got sick. She asked the same question. Juma said, "I want your things." Amani said, "I want your blessing." Mother gave her blessing to Amani. Then she also passed away gently.

After this, Juma took all the things. He left Amani with only a little pot. Amani was sad and hungry. A neighbor came to her door. "Can I borrow your pot?" she asked. "I will give you some corn." Amani was happy to help. She shared her pot with many neighbors. They gave her corn in return. Soon, Amani had plenty of food.

She found a pumpkin seed. She planted it by her well. It grew into a big plant. It gave her many sweet pumpkins. Amani was happy with her garden.

Juma heard about Amani's good life. He felt angry and jealous. He went to Amani's house very early. He saw her pot outside. He took it and ran away. When Amani woke up, her pot was gone. She was sad, but she had her pumpkins. She shared them with the village. People loved her sweet pumpkins.

Juma's wife, Neema, heard about the pumpkins. She sent a helper to buy one. Amani gave the biggest pumpkin for free. Neema loved it very much. She wanted more pumpkins the next day. But Amani said there were none left. Neema cried to Juma. "She will not sell me pumpkins!" she said. Juma was very angry.

He went to Amani's pumpkin plant. "I will cut it down!" he shouted. Amani ran to stop him. In the struggle, she hurt her hand badly. She could not use it any more. Juma cut down the pumpkin plant. Then he made Amani leave her house.

Amani walked into the forest. She was very sad and alone. She walked for many days. She found fruit to eat. She slept under trees. She missed her home. But she kept walking.

One day, a prince found her. He was Prince Kofi. He saw she was crying. He saw her hurt hand. "Come with me," he said kindly. "I will help you." He took her to his palace. He gave her food and clean clothes. They fell in love and got married. Amani was happy again. Soon, they had a baby son.

But Juma worked for the king now. He was still angry at Amani. He told lies to King Moyo. "Amani is not good," he said. "Her baby is not good." The king believed Juma's lies. He sent Amani and her baby away. "Go into the forest," he said. Amani was very sad again.

She walked in the forest with her baby. She met a family of friendly snakes. There was Grandmother Snake and Grandfather Snake. There was also their son, Sefu. "We will help you," said Sefu. They gave her food and a place to rest. They healed her hurt hand. Her hand was all better now! The snakes gave her a magic ring. "If you need a house, ask the ring," they said. Amani thanked them and walked on.

She came near the town. She asked the magic ring for a house. A pretty house appeared! Amani and her son lived there happily. They had food and a garden.

One day, King Moyo and Prince Kofi came back. They saw the new pretty house. They went to visit. A lady in a veil welcomed them. She gave them food and drink. The lady sat down with her son. She told them her story. She told them about Juma's lies. She told them about her hurt hand. She told them about the kind snakes. She told them about the magic ring.

Prince Kofi listened with care. He looked at the lady and her son. "It is you!" he cried. "You are my wife!" He was so happy to see her. Amani took off her veil. She smiled at her husband. Her hand was all better now. Their family was together again.

King Moyo was sorry for his mistake. He believed Amani's story. He was angry at Juma. "Go away," the king said to Juma. "You told lies." Juma had to leave the town. Amani, Prince Kofi, and their son lived happily. They were kind and good. And so, kindness won the day.

Original Story 5400 words · 24 min read

THE ONE-HANDED GIRL

AN old couple once lived in a hut under a grove of palm trees, and they

had one son and one daughter. They were all very happy together for many

years, and then the father became very ill, and felt he was going to

die. He called his children to the place where he lay on the floor--for

no one had any beds in that country--and said to his son, 'I have no

herds of cattle to leave you--only the few things there are in the

house--for I am a poor man, as you know. But choose: will you have my

blessing or my property?'

'Your property, certainly,' answered the son, and his father nodded.

'And you?' asked the old man of the girl, who stood by her brother.

'I will have blessing,' she answered, and her father gave her much

blessing.

That night he died, and his wife and son and daughter mourned for him

seven days, and gave him a burial according to the custom of his people.

But hardly was the time of mourning over, than the mother was attacked

by a disease which was common in that country.

'I am going away from you,' she said to her children, in a faint voice;

'but first, my son, choose which you will have: blessing or property.'

'Property, certainly,' answered the son,

'And you, my daughter?'

'I will have blessing,' said the girl; and her mother gave her much

blessing, and that night she died.

   *       *       *       *       *

When the days of mourning were ended, the brother bade his sister put

outside the hut all that belonged to his father and his mother. So the

girl put them out, and he took them away, save only a small pot and a

vessel in which she could clean her corn. But she had no corn to clean.

She sat at home, sad and hungry, when a neighbour knocked at the door.

'My pot has cracked in the fire, lend me yours to cook my supper in, and

I will give you a handful of corn in return.'

And the girl was glad, and that night she was able to have supper

herself, and next day another woman borrowed her pot, and then another

and another, for never were known so many accidents as befell the

village pots at that time. She soon grew quite fat with all the corn she

earned with the help of her pot, and then one evening she picked up a

pumpkin seed in a corner, and planted it near her well, and it sprang

up, and gave her many pumpkins.

At last it happened that a youth from her village passed through the

place where the girl's brother was, and the two met and talked.

'What news is there of my sister?' asked the young man, with whom things

had gone badly, for he was idle.

'She is fat and well-liking,' replied the youth, 'for the women borrow

her mortar to clean their corn, and borrow her pot to cook it in, and

for all this they give her more food than she can eat.' And he went his

way.

Now the brother was filled with envy at the words of the man, and he set

out at once, and before dawn he had reached the hut, and saw the pot and

the mortar were standing outside. He slung them over his shoulders and

departed, pleased with his own cleverness; but when his sister awoke

and sought for the pot to cook her corn for breakfast, she could find it

nowhere. At length she said to herself:

'Well, some thief must have stolen them while I slept. I will go and see

if any of my pumpkins are ripe.' And indeed they were, and so many that

the tree was almost broken by the weight of them. So she ate what she

wanted and took the others, to the village, and gave them in exchange

for corn, and the women said that no pumpkins were as sweet as these,

and that she was to bring every day all that she had. In this way she

earned more than she needed for herself, and soon was able to get

another mortar and cooking pot in exchange for her corn. Then she

thought she was quite rich.

   *       *       *       *       *

Unluckily someone else thought so too, and this was her brother's wife,

who had heard all about the pumpkin tree, and sent her slave with a

handful of grain to buy her a pumpkin. At first the girl told him that

so few were left that she could not spare any; but when she found that

he belonged to her brother, she changed her mind, and went out to the

tree and gathered the largest and the ripest that was there.

'Take this one,' she said to the slave, 'and carry it back to your

mistress, but tell her to keep the corn, as the pumpkin is a gift.'

The brother's wife was overjoyed at the sight of the fruit, and when she

tasted it, she declared it was the nicest she had ever eaten. Indeed,

all night she thought of nothing else, and early in the morning she

called another slave (for she was a rich woman) and bade him go and ask

for another pumpkin. But the girl, who had just been out to look at her

tree, told him that they were all eaten, so he went back empty-handed to

his mistress.

In the evening her husband returned from hunting a long way off, and

found his wife in tears.

'What is the matter?' asked he.

'I sent a slave with some grain to your sister to buy some pumpkins, but

she would not sell me any, and told me there were none, though I know

she lets other people buy them.'

'Well, never mind now--go to sleep,' said he, 'and to-morrow I will go

and pull up the pumpkin tree, and that will punish her for treating you

so badly.'

So before sunrise he got up and set out for his sister's house, and

found her cleaning some corn.

'Why did you refuse to sell my wife a pumpkin yesterday when she wanted

one?' he asked.

'The old ones are finished, and the new ones are not yet come,' answered

the girl. 'When her slave arrived two days ago, there were only four

left; but I gave him one, and would take no corn for it.'

'I do not believe you: you have sold them all to other people. I shall

go and cut down the pumpkin,' cried her brother in a rage.

'If you cut down the pumpkin you shall cut off my hand with it,'

exclaimed the girl, running up to her tree and catching hold of it. But

her brother followed, and with one blow cut off the pumpkin and her hand

too.

Then he went into the house and took away everything he could find, and

sold the house to a friend of his who had long wished to have it, and

his sister had no home to go to.

Meanwhile she had bathed her arm carefully, and bound on it some healing

leaves that grew near by, and wrapped a cloth round the leaves, and went

to hide in the forest, that her brother might not find her again.

For seven days she wandered about, eating only the fruit that hung from

the trees above her, and every night she climbed up and tucked herself

safely among the creepers which bound together the big branches, so that

neither lions nor tigers nor panthers might get at her.

[Illustration: HOW THE GIRL LOST HER HAND]

When she woke up on the seventh morning she saw from her perch smoke

coming up from a little town on the edge of the forest. The sight of the

huts made her feel more lonely and helpless than before. She longed

desperately for a draught of milk from a gourd, for there were no

streams in that part, and she was very thirsty, but how was she to earn

anything with only one hand? And at this thought her courage failed, and

she began to cry bitterly.

   *       *       *       *       *

It happened that the king's son had come out from the town very early to

shoot birds, and when the sun grew hot he felt tired.

'I will lie here and rest under this tree,' he said to his attendants.

'You can go and shoot instead, and I will just have this slave to stay

with me!' Away they went, and the young man fell asleep, and slept long.

Suddenly he was awakened by something wet and salt falling on his face.

'What is that? Is it raining?' he said to his slave. 'Go and look.'

'No, master, it is not raining,' answered the slave.

'Then climb up the tree and see what it is,' and the slave climbed up,

and came back and told his master that a beautiful girl was sitting up

there, and that it must have been her tears which had fallen on the face

of the king's son.

'Why was she crying?' inquired the prince.

'I cannot tell--I did not dare to ask her; but perhaps she would tell

you.' And the master, greatly wondering, climbed up the tree.

'What is the matter with you?' said he gently, and, as she only sobbed

louder, he continued:

'Are you a woman, or a spirit of the woods?'

'I am a woman,' she answered slowly, wiping her eyes with a leaf of the

creeper that hung about her.

'Then why do you cry?' he persisted.

'I have many things to cry for,' she replied, 'more than you could ever

guess.'

'Come home with me,' said the prince; 'it is not very far. Come home to

my father and mother. I am a king's son.'

'Then why are you here?' she said, opening her eyes and staring at him.

'Once every month I and my friends shoot birds in the forest,' he

answered, 'but I was tired and bade them leave me to rest. And you--what

are you doing up in this tree?'

At that she began to cry again, and told the king's son all that had

befallen her since the death of her mother.

'I cannot come down with you, for I do not like anyone to see me,' she

ended with a sob.

'Oh! I will manage all that,' said the king's son, and swinging himself

to a lower branch, he bade his slave go quickly into the town, and bring

back with him four strong men and a curtained litter. When the man was

gone, the girl climbed down, and hid herself on the ground in some

bushes. Very soon the slave returned with the litter, which was placed

on the ground close to the bushes where the girl lay.

'Now go, all of you, and call my attendants, for I do not wish to stay

here any longer,' he said to the men, and as soon as they were out of

sight he bade the girl get into the litter, and fasten the curtains

tightly. Then he got in on the other side, and waited till his

attendants came up.

'What is the matter, O son of a king?' asked they, breathless with

running.

'I think I am ill; I am cold,' he said, and signing to the bearers, he

drew the curtains, and was carried through the forest right inside his

own house.

'Tell my father and mother that I have a fever, and want some gruel,'

said he, 'and bid them send it quickly.'

[Illustration: THE KING'S SON FINDS THE GIRL IN THE TREE]

So the slave hastened to the king's palace and gave his message, which

troubled both the king and the queen greatly. A pot of hot gruel was

instantly prepared, and carried over to the sick man, and as soon as the

council which was sitting was over, the king and his ministers went to

pay him a visit, bearing a message from the queen that she would follow

a little later.

   *       *       *       *       *

Now the prince had pretended to be ill in order to soften his parents'

hearts, and the next day he declared he felt better, and, getting into

his litter, was carried to the palace in state, drums being beaten all

along the road.

He dismounted at the foot of the steps and walked up, a great parasol

being held over his head by a slave. Then he entered the cool, dark room

where his father and mother were sitting, and said to them:

'I saw a girl yesterday in the forest whom I wish to marry, and, unknown

to my attendants, I brought her back to my house in a litter. Give me

your consent, I beg, for no other woman pleases me as well, even though

she has but one hand!'

Of course the king and queen would have preferred a daughter-in-law with

two hands, and one who could have brought riches with her, but they

could not bear to say 'No' to their son, so they told him it should be

as he chose, and that the wedding feast should be prepared immediately.

The girl could scarcely believe her good fortune, and, in gratitude for

all the kindness shown her, was so useful and pleasant to her husband's

parents that they soon loved her.

By and bye a baby was born to her, and soon after that the prince was

sent on a journey by his father to visit some of the distant towns of

the kingdom, and to set right things that had gone wrong.

No sooner had he started than the girl's brother, who had wasted all

the riches his wife had brought him in recklessness and folly, and was

now very poor, chanced to come into the town, and as he passed he heard

a man say, 'Do you know that the king's son has married a woman who has

lost one of her hands?' On hearing these words the brother stopped and

asked, 'Where did he find such a woman?'

'In the forest,' answered the man, and the cruel brother guessed at once

it must be his sister.

A great rage took possession of his soul as he thought of the girl whom

he had tried to ruin being after all so much better off than himself,

and he vowed that he would work her ill. Therefore that very afternoon

he made his way to the palace and asked to see the king.

When he was admitted to his presence, he knelt down and touched the

ground with his forehead, and the king bade him stand up and tell

wherefore he had come.

'By the kindness of your heart have you been deceived, O king,' said he.

'Your son has married a girl who has lost a hand. Do you know why she

has lost it? She was a witch, and has wedded three husbands, and each

husband she has put to death with her arts. Then the people of the town

cut off her hand, and turned her into the forest. And what I say is

true, for her town is my town also.'

The king listened, and his face grew dark. Unluckily he had a hasty

temper, and did not stop to reason, and, instead of sending to the town,

and discovering people who knew his daughter-in-law and could have told

him how hard she had worked and how poor she had been, he believed all

the brother's lying words, and made the queen believe them too. Together

they took counsel what they should do, and in the end they decided that

they also would put her out of the town. But this did not content the

brother.

'Kill her,' he said. 'It is no more than she deserves for daring to

marry the king's son. Then she can do no more hurt to anyone.'

'We cannot kill her,' answered they; 'if we did, our son would assuredly

kill us. Let us do as the others did, and put her out of the town.' And

with this the envious brother was forced to be content.

[Illustration: The One-handed Girl befriends a snake]

The poor girl loved her husband very much, but just then the baby was

more to her than all else in the world, and as long as she had him with

her, she did not very much mind anything. So, taking her son on her arm,

and hanging a little earthen pot for cooking round her neck, she left

her house with its great peacock fans and slaves and seats of ivory, and

plunged into the forest.

   *       *       *       *       *

For a while she walked, not knowing whither she went, then by and bye

she grew tired, and sat under a tree to rest and to hush her baby to

sleep. Suddenly she raised her eyes, and saw a snake wriggling from

under the bushes towards her.

'I am a dead woman,' she said to herself, and stayed quite still, for

indeed she was too frightened to move. In another minute the snake had

reached her side, and to her surprise he spoke.

'Open your earthen pot, and let me go in. Save me from sun, and I will

save you from rain,' and she opened the pot, and when the snake had

slipped in, she put on the cover. Soon she beheld another snake coming

after the other one, and when it had reached her it stopped and said,

'Did you see a small grey snake pass this way just now?'

'Yes,' she answered, 'it was going very quickly.'

'Ah, I must hurry and catch it up,' replied the second snake, and it

hastened on.

When it was out of sight, a voice from the pot said:

'Uncover me,' and she lifted the lid, and the little grey snake slid

rapidly to the ground.

'I am safe now,' he said. 'But tell me, where are you going?'

'I cannot tell you, for I do not know,' she answered. 'I am just

wandering in the wood.'

'Follow me, and let us go home together,' said the snake, and the girl

followed him through the forest and along the green paths, till they

came to a great lake, where they stopped to rest.

[Illustration: "MY BABY, MY BABY!"]

'The sun is hot,' said the snake, 'and you have walked far. Take your

baby and bathe in that cool place where the boughs of the tree stretch

far over the water.'

'Yes, I will,' answered she, and they went in. The baby splashed and

crowed with delight, and then he gave a spring and fell right in, down,

down, down, and his mother could not find him, though she searched all

among the reeds.

Full of terror, she made her way back to the bank, and called to the

snake, 'My baby is gone!--he is drowned, and never shall I see him

again.'

'Go in once more,' said the snake, 'and feel everywhere, even among the

trees that have their roots in the water, lest perhaps he may be held

fast there.'

Swiftly she went back and felt everywhere with her whole hand, even

putting her fingers into the tiniest crannies, where a crab could hardly

have taken shelter.

'No, he is not here,' she cried. 'How am I to live without him?' But the

snake took no notice, and only answered, 'Put in your other arm too.'

'What is the use of that?' she asked, 'when it has no hand to feel

with?' but all the same she did as she was bid, and in an instant the

wounded arm touched something round and soft, lying between two stones

in a clump of reeds.

'My baby, my baby!' she shouted, and lifted him up, merry and laughing,

and not a bit hurt or frightened.

'Have you found him this time?' asked the snake.

'Yes, oh, yes!' she answered, 'and, why--why--I have got my hand back

again!' and from sheer joy she burst into tears.

   *       *       *       *       *

The snake let her weep for a little while, and then he said--

'Now we will journey on to my family, and we will all repay you for the

kindness you showed to me.'

'You have done more than enough in giving me back my hand,' replied the

girl; but the snake only smiled.

'Be quick, lest the sun should set,' he answered, and began to wriggle

along so fast that the girl could hardly follow him.

By and bye they arrived at the house in a tree where the snake lived,

when he was not travelling with his father and mother. And he told them

all his adventures, and how he had escaped from his enemy. The father

and mother snake could not do enough to show their gratitude. They made

their guest lie down on a hammock woven of the strong creepers which

hung from bough to bough, till she was quite rested after her

wanderings, while they watched the baby and gave him milk to drink from

the coconuts which they persuaded their friends the monkeys to crack for

them. They even managed to carry small fruit tied up in their tails for

the baby's mother, who felt at last that she was safe and at peace. Not

that she forgot her husband, for she often thought of him and longed to

show him her son, and in the night she would sometimes lie awake and

wonder where he was.

   *       *       *       *       *

In this manner many weeks passed by.

And what was the prince doing?

Well, he had fallen very ill when he was on the furthest border of the

kingdom, and he was nursed by some kind people who did not know who he

was, so that the king and queen heard nothing about him. When he was

better he made his way slowly home again, and into his father's palace,

where he found a strange man standing behind the throne with the

peacock's feathers. This was his wife's brother, whom the king had taken

into high favour, though, of course, the prince was quite ignorant of

what had happened.

For a moment the king and queen stared at their son, as if he had been

unknown to them; he had grown so thin and weak during his illness that

his shoulders were bowed like those of an old man.

'Have you forgotten me so soon?' he asked.

At the sound of his voice they gave a cry and ran towards him, and

poured out questions as to what had happened, and why he looked like

that. But the prince did not answer any of them.

'How is my wife?' he said. There was a pause.

Then the queen replied:

'She is dead.'

'Dead!' he repeated, stepping a little backwards. 'And my child?'

'He is dead too.'

The young man stood silent. Then he said, 'Show me their graves.'

At these words the king, who had been feeling rather uncomfortable, took

heart again, for had he not prepared two beautiful tombs for his son to

see, so that he might never, never guess what had been done to his wife?

All these months the king and queen had been telling each other how good

and merciful they had been not to take her brother's advice and to put

her to death. But now, this somehow did not seem so certain.

Then the king led the way to the courtyard just behind the palace, and

through the gate into a beautiful garden where stood two splendid tombs

in a green space under the trees. The prince advanced alone, and,

resting his head against the stone, he burst into tears. His father and

mother stood silently behind with a curious pang in their souls which

they did not quite understand. Could it be that they were ashamed of

themselves?

But after a while the prince turned round, and walking past them into

the palace he bade the slaves bring him mourning. For seven days no one

saw him, but at the end of them he went out hunting, and helped his

father rule his people as before. Only no one dared to speak to him of

his wife and son.

   *       *       *       *       *

At last one morning, after the girl had been lying awake all night

thinking of her husband, she said to her friend the snake:

'You have all shown me much kindness, but now I am well again, and want

to go home and hear some news of my husband, and if he still mourns for

me!' Now the heart of the snake was sad at her words, but he only said:

'Yes, thus it must be; go and bid farewell to my father and mother, but

if they offer you a present, see that you take nothing but my father's

ring and my mother's casket.'

[Illustration: The Girl asks the Snakes for the ring & Casket]

So she went to the parent snakes, who wept bitterly at the thought of

losing her, and offered her gold and jewels as much as she could carry

in remembrance of them. But the girl shook her head and pushed the

shining heap away from her.

'I shall never forget you, never,' she said in a broken voice, 'but the

only tokens I will accept from you are that little ring and this old

casket.'

The two snakes looked at each other in dismay. The ring and the casket

were the only things they did not want her to have. Then after a short

pause they spoke.

'Why do you want the ring and casket so much? Who has told you of them?'

'Oh, nobody; it is just my fancy,' answered she. But the old snakes

shook their heads and replied:

'Not so; it is our son who told you, and, as he said, so it must be. If

you need food, or clothes, or a house, tell the ring and it will find

them for you. And if you are unhappy or in danger, tell the casket and

it will set things right.' Then they both gave her their blessing, and

she picked up her baby and went her way.

She walked for a long time, till at length she came near the town where

her husband and his father dwelt. Here she stopped under a grove of palm

trees, and told the ring that she wanted a house.

'It is ready, mistress,' whispered a queer little voice which made her

jump, and, looking behind her, she saw a lovely palace made of the

finest woods, and a row of slaves with tall fans bowing before the door.

Glad indeed was she to enter, for she was very tired, and, after eating

a good supper of fruit and milk which she found in one of the rooms,

she flung herself down on a pile of cushions and went to sleep with her

baby beside her.

Here she stayed quietly, and every day the baby grew taller and

stronger, and very soon he could run about and even talk. Of course the

neighbours had a great deal to say about the house which had been built

so quickly--so very quickly--on the outskirts of the town, and invented

all kinds of stories about the rich lady who lived in it. And by and

bye, when the king returned with his son from the wars, some of these

tales reached his ears.

'It is really very odd about that house under the palms,' he said to the

queen; 'I must find out something of the lady whom no one ever sees. I

daresay it is not a lady at all, but a gang of conspirators who want to

get possession of my throne. To-morrow I shall take my son and my chief

ministers and insist on getting inside.'

   *       *       *       *       *

Soon after sunrise next day the prince's wife was standing on a little

hill behind the house, when she saw a cloud of dust coming through the

town. A moment afterwards she heard faintly the roll of the drums that

announced the king's presence, and saw a crowd of people approaching the

grove of palms. Her heart beat fast. Could her husband be among them? In

any case they must not discover her there; so just bidding the ring

prepare some food for them, she ran inside, and bound a veil of golden

gauze round her head and face. Then, taking the child's hand, she went

to the door and waited.

In a few minutes the whole procession came up, and she stepped forward

and begged them to come in and rest.

'Willingly,' answered the king; 'go first, and we will follow you.'

They followed her into a long dark room, in which was a table covered

with gold cups and baskets filled with dates and coconuts and all kinds

of ripe yellow fruits, and the king and the prince sat upon cushions and

were served by slaves, while the ministers, among whom she recognised

her own brother, stood behind.

'Ah, I owe all my misery to him,' she said to herself. 'From the first

he has hated me,' but outwardly she showed nothing. And when the king

asked her what news there was in the town she only answered:

'You have ridden far; eat first, and drink, for you must be hungry and

thirsty, and then I will tell you my news.'

'You speak sense,' answered the king, and silence prevailed for some

time longer. Then he said:

'Now, lady, I have finished, and am refreshed, therefore tell me, I pray

you, who you are, and whence you come? But, first, be seated.'

She bowed her head and sat down on a big scarlet cushion, drawing her

little boy, who was asleep in a corner, on to her knee, and began to

tell the story of her life. As her brother listened, he would fain have

left the house and hidden himself in the forest, but it was his duty to

wave the fan of peacock's feathers over the king's head to keep off the

flies, and he knew he would be seized by the royal guards if he tried to

desert his post. He must stay where he was, there was no help for it,

and luckily for him the king was too much interested in the tale to

notice that the fan had ceased moving, and that flies were dancing right

on the top of his thick curly hair.

The story went on, but the story-teller never once looked at the prince,

even through her veil, though he on his side never moved his eyes from

her. When she reached the part where she had sat weeping in the tree,

the king's son could restrain himself no longer.

'It is my wife,' he cried, springing to where she sat with the sleeping

child in her lap. 'They have lied to me, and you are not dead after all,

nor the boy either! But what has happened? Why did they lie to me? and

why did you leave my house where you were safe?' And he turned and

looked fiercely at his father.

'Let me finish my tale first, and then you will know,' answered she,

throwing back her veil, and she told how her brother had come to the

palace and accused her of being a witch, and had tried to persuade the

king to slay her. 'But he would not do that,' she continued softly, 'and

after all, if I had stayed on in your house, I should never have met the

snake, nor have got my hand back again. So let us forget all about it,

and be happy once more, for see! our son is growing quite a big boy.'

'And what shall be done to your brother?' asked the king, who was glad

to think that someone had acted in this matter worse than himself.

'Put him out of the town,' answered she.

From 'Swaheli Tales,' by E. Steere.

Story DNA fairy tale · hopeful

Moral

Kindness, patience, and unwavering faith in goodness will ultimately triumph over envy and malice, leading to unexpected rewards and restoration.

Plot Summary

A kind girl chooses her dying parents' blessings over property, while her envious brother takes all wealth. Despite his repeated attempts to ruin her, including severing her hand, she prospers through her goodness. She marries a prince, but her brother slanders her, leading to her and her son's abandonment. Rescued by magical snakes who restore her hand and give her magical items, she eventually returns, builds a palace, and recounts her story to the king and prince, exposing her brother's treachery and leading to her reunion with her family and the brother's banishment.

Themes

goodness rewardedevil punishedperseverance through adversitythe power of blessings

Emotional Arc

suffering to triumph

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition of choices (blessing vs. property), rule of three (mother, father, brother's wife's attempts), direct address to reader (implied through narrative tone)

Narrative Elements

Conflict: person vs person
Ending: happy
Magic: magical growth of pumpkins, talking animals (snakes), magical restoration of a severed hand, magical ring that grants wishes (house, food), magical casket that sets things right
the blessing (representing spiritual wealth and divine favor)the severed hand (representing loss, suffering, and injustice)the magical ring and casket (representing divine intervention and justice)

Cultural Context

Origin: African (specifically Swahili, as noted in the source)
Era: timeless fairy tale

The story is attributed to 'Swaheli Tales' by E. Steere, indicating an East African origin. The presence of slavery reflects historical societal structures in various parts of the world, including Africa.

Plot Beats (13)

  1. Parents die, offering children choice: blessing or property. Son chooses property, daughter chooses blessing.
  2. Brother takes all property, leaving sister with only a pot and corn vessel. Sister prospers by lending her pot and growing pumpkins.
  3. Brother, envious of sister's success, steals her pot and mortar, then cuts down her pumpkin tree and her hand when she tries to protect it.
  4. Brother sells her house, leaving her homeless. She wanders in the forest for seven days, surviving on fruit.
  5. A prince discovers the weeping girl, takes her to his palace, and marries her, despite her missing hand.
  6. The girl gives birth to a son. Her envious brother, now a minister, slanders her to the king, accusing her of being a witch and having a monster child.
  7. The king, swayed by the brother, orders the girl and her son to be abandoned in the forest.
  8. A family of snakes rescues and cares for the girl and her son, restoring her hand and providing her with a magical ring and casket.
  9. After seven years, the girl, with her son, uses the ring to conjure a palace near her husband's town.
  10. The king and prince, returning from war, visit the mysterious palace and are hosted by the veiled lady.
  11. The girl, with her son on her lap, recounts her life story, revealing her identity and the brother's treachery.
  12. The prince recognizes his wife and son; her hand is fully restored.
  13. The king banishes the wicked brother, and the family is reunited, living happily ever after.

Characters 7 characters

The One-Handed Girl ★ protagonist

human young adult female

Missing one hand (later restored)

Attire: Simple clothing appropriate for a village girl, later fine robes and golden gauze veil as a wealthy woman.

A single missing hand

Kind, resourceful, forgiving

Image Prompt & Upload
A young woman in her late teens with a determined expression and a missing left hand, the stump neatly healed. She has shoulder-length, wavy brown hair and wears a simple but practical outfit: a faded blue tunic over brown trousers and worn leather boots. Her right hand rests confidently on her hip, and she carries a small satchel slung over her shoulder. Her posture is upright and resilient, gazing directly forward. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Brother ⚔ antagonist

human young adult male

No specific details given

Attire: Simple clothing, later finer clothes as he gains some wealth.

Carrying a stolen pot and mortar

Greedy, envious, cruel

Image Prompt & Upload
A menacing young man in his late 20s with slicked-back dark hair, piercing green eyes, and a thin scar across his left cheek. He wears a tailored black leather coat over a high-collared crimson shirt, dark trousers, and polished boots. His posture is rigid and imposing, arms crossed over his chest, head slightly tilted with a cold, calculating smirk. His expression is sharp and predatory, conveying authority and threat. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King's Son ◆ supporting

human young adult male

No specific details given

Attire: Fine clothing befitting a prince

Royal robes and a look of shock upon seeing his wife

Gullible, loving (eventually), easily manipulated

Image Prompt & Upload
A young man in his late teens with warm brown hair and kind, attentive eyes. He wears a simple but well-made tunic of deep green wool over a cream-colored shirt, brown leather trousers, and sturdy boots. His posture is relaxed but upright, with a gentle smile playing on his lips as if listening intently. He holds a small, leather-bound book loosely in one hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ◆ supporting

human adult male

No specific details given

Attire: Elaborate royal robes and jewelry

Being fanned with peacock feathers

Suspicious, easily swayed, concerned with appearances

Image Prompt & Upload
An elderly man in his late sixties with a kind, weathered face and gentle blue eyes. He has a neatly trimmed white beard and thinning white hair. He wears a simple golden circlet on his head, a deep blue velvet robe with gold embroidery at the hems over a white tunic, and sturdy brown leather boots. His posture is straight but relaxed, standing with his hands clasped gently in front of him, offering a subtle, reassuring smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Brother's Wife ○ minor

human adult female

No specific details given

Attire: Fine clothing befitting a wealthy woman

Tears of frustration over pumpkins

Spoiled, demanding, envious

Image Prompt & Upload
A young girl around ten years old with long, chestnut brown hair in two neat braids tied with blue ribbons. She wears a simple, cream-colored linen dress with puffed sleeves and a light blue apron. Her expression is curious and slightly wary, with wide hazel eyes. She stands straight, holding a small, woven basket of wildflowers in one hand. Her other hand lightly touches a single, glowing silver hair clip shaped like a butterfly nestled in her braid. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Snake Son ◆ supporting

magical creature ageless male

A snake

A talking snake

Helpful, loyal, obedient

Image Prompt & Upload
A young man in his late teens with pale, slightly scaled skin and vertical pupils like a snake. He has slicked-back dark hair and a sly, knowing smirk. He is dressed in a form-fitting tunic of dark green and black leather, with subtle scale-like patterning and a high collar. He stands in a relaxed, slightly coiled posture, one hand extended forward as if offering or presenting something. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Old Snake Couple ◆ supporting

magical creature ageless unknown

Snakes

Two ancient snakes guarding a ring and casket

Wise, magical, generous

Image Prompt & Upload
An elderly couple with serpentine features, their skin subtly scaled and patterned. The man has a long, white beard and kind, slitted eyes, leaning on a gnarled wooden staff. The woman has silver hair in a loose bun, her posture slightly stooped as she holds his arm. Both wear layered, flowing robes of deep green and brown, embroidered with delicate leaf motifs. They stand in a misty, ancient forest clearing, surrounded by softly glowing mushrooms and twisted roots. Their expressions are wise and serene. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 5 locations
No image yet

Hut under a grove of palm trees

outdoor Warm climate, implied tropical or subtropical

Simple dwelling, surrounded by palm trees, suggesting a warm climate

Mood: Initially happy and peaceful, later desolate and impoverished

The old couple live and die here; the brother forces the sister into poverty.

hut palm trees small pot vessel for cleaning corn
Image Prompt & Upload
Golden hour sunlight filters through a dense grove of tall, slender palm trees, casting long, warm shadows on a simple, thatched-roof hut. The hut is constructed from weathered bamboo and palm fronds, nestled amidst the lush greenery. The sandy ground is dotted with fallen coconuts and broad, tropical leaves. The air is still and humid, with a soft, golden glow illuminating the scene. In the background, hints of a turquoise ocean are visible through the trees. The color palette is rich with deep greens, warm yellows, and earthy browns. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Pumpkin patch near the well

outdoor Growing season, pumpkins are ripe

A flourishing pumpkin vine laden with ripe pumpkins

Mood: Hopeful, bountiful, a source of sustenance and wealth

The girl finds prosperity through the pumpkins, leading to conflict with her brother.

pumpkin vine ripe pumpkins well pumpkin seeds
Image Prompt & Upload
Late afternoon golden sunlight filters through a canopy of ancient oak trees, illuminating a sprawling pumpkin patch. Vibrant orange pumpkins of various sizes rest among thick, emerald-green vines and broad leaves, some nestled beside a weathered stone well covered in moss. The air is still and warm, with a hint of autumn crispness. Soft shadows stretch across the earthy ground, dotted with fallen leaves and small wildflowers. The scene is rich with deep greens, burnt oranges, and the warm, honeyed light of a setting sun. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Snake's dwelling

indoor Unknown

Implied to be a cave or den, where the snakes live

Mood: Magical, mysterious, potentially dangerous but ultimately benevolent

The girl regains her hand and receives magical gifts from the snakes.

snakes ring casket
Image Prompt & Upload
A dimly lit cave entrance at twilight, with moss-covered rocks and creeping vines. Inside, a vast cavern with stalactites hanging from the ceiling, and a shallow pool reflecting faint bioluminescent fungi on the walls. Scattered shed snake skins glisten on the rocky floor, and winding paths lead deeper into the darkness. The atmosphere is cool and damp, with mist curling around jagged stone formations. Colors are muted earth tones, deep greens, and occasional flashes of iridescent blue from mineral deposits. Soft light filters through cracks in the ceiling, casting ethereal beams across the scene. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

Palace under a grove of palm trees

outdoor Warm climate, implied tropical or subtropical

A luxurious palace made of fine woods, with slaves and tall fans

Mood: Opulent, magical, a haven for the girl and her son

The girl establishes a new life and is eventually reunited with her husband.

palace palm trees slaves tall fans
Image Prompt & Upload
Golden hour bathes a luxurious palace nestled beneath a grove of towering, swaying palm trees. The structure is crafted from polished dark woods and ivory, with intricate carvings and high, peaked roofs. Ornate golden filigree adorns the eaves and tall, elegant screens that resemble giant, decorative fans. A serene reflecting pool mirrors the warm sky and the lush tropical foliage. The air feels still and humid, with soft light filtering through the broad palm fronds, casting dappled shadows on smooth stone pathways. Rich emerald green, deep wood tones, and touches of gold dominate the palette. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Long dark room in the palace

indoor day Warm climate, implied tropical or subtropical

A room with a table covered with gold cups and baskets of fruit

Mood: Formal, tense, a place of revelation and reconciliation

The king, prince, and ministers gather, and the girl reveals her identity and story.

long table gold cups baskets of fruit cushions
Image Prompt & Upload
A long, dimly lit grand hall in an ancient palace at midnight, shrouded in velvety darkness. Moonlight streams through towering arched windows, casting long silver beams across the polished marble floor. In the center, a massive oak table is draped with a rich, dark cloth, upon which gleam intricate gold cups and overflowing woven baskets of ripe pomegranates, grapes, and figs. The fruit and metal catch the moonlight, creating warm, glowing highlights. The walls are of dark stone, disappearing into shadow, with faded tapestries barely visible. Dust motes drift in the light beams, and the air feels still and heavy with quiet grandeur. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration