The Goat-faced Girl
by Andrew Lang · from The Grey Fairy Book
Adapted Version
Once upon a time, Masaniello was poor. He had many daughters. He worked hard every day. But his home was often hungry. He felt sad for his children.
One day, a big green fairy came. She was kind and friendly. "Bring me your youngest daughter," she said. "I will help her learn things. I will help you too. You will get gold."
Masaniello was very worried. He went home. He talked to his wife. His wife said, "Maybe the fairy is a friend. Let Renzolla go." So Masaniello took Renzolla to the fairy. The fairy gave him a bag of gold. Now he could feed his children. He could buy food and clothes.
The fairy took Renzolla to a pretty palace. The palace had big rooms. It had a nice garden. The fairy gave Renzolla nice dresses. She gave her good food. Renzolla lived like a princess. She was happy every day.
One day, a king came to the palace. He was lost. He saw Renzolla. He liked her very much. She was kind and pretty. The fairy said they could marry. She gave them many gifts. She gave gold and silver. Renzolla left with the king. She forgot to say thank you to the fairy.
The fairy was sad. She made a magic change. Renzolla's face became very plain and sad. The king was surprised. He did not like her face now. "Stay in your room," he said. He gave her some thread to spin. He wanted her to work.
Renzolla did not know how to spin. She was scared. She went to the fairy for help. The fairy helped her spin the thread. But Renzolla forgot to say thank you again. She ran back to the king.
The king gave her a little dog to care for. The dog was small and cute. Renzolla did not feed the dog. She did not play with it. The dog was sad and hungry. It cried at night.
The king wanted to see the dog. He asked Renzolla, "Where is the dog?" Renzolla was worried. She went back to the fairy's home. An old man was at the door. He looked stern. He showed her a mirror. Her face looked so sad in it. It was plain and unhappy.
"Why is my face like this?" cried Renzolla.
"You never say thank you," said the old man. "The fairy is sad. You must say you are sorry. Be thankful."
Renzolla was very sorry. She cried. She found the fairy. "I am sorry," she said. "Thank you for all you did. You helped me so much."
The fairy smiled. She was kind. She made Renzolla's face pretty again. It looked nice and happy. She gave her a nice new dress. It was blue and shiny. Renzolla went back to the king.
The king was happy to see her. Her face was pretty now. They both learned to be kind. They always said please and thank you. They helped each other.
And so, Renzolla and the king lived happy. They always remembered to be kind and thankful. It is important to say thank you. It makes everyone feel glad. Being thankful makes hearts warm.
Original Story
The Goat-faced Girl
There was once upon a time a peasant called Masaniello who had twelve
daughters. They were exactly like the steps of a staircase, for there
was just a year between each sister. It was all the poor man could do to
bring up such a large family, and in order to provide food for them he
used to dig in the fields all day long. In spite of his hard work he
only just succeeded in keeping the wolf from the door, and the poor
little girls often went hungry to bed.
One day, when Masaniello was working at the foot of a high mountain, he
came upon the mouth of a cave which was so dark and gloomy that even
the sun seemed afraid to enter it. Suddenly a huge green lizard appeared
from the inside and stood before Masaniello, who nearly went out of his
mind with terror, for the beast was as big as a crocodile and quite as
fierce looking.
But the lizard sat down beside him in the most friendly manner, and
said: ‘Don’t be afraid, my good man, I am not going to hurt you; on the
contrary, I am most anxious to help you.’
When the peasant heard these words he knelt before the lizard and said:
‘Dear lady, for I know not what to call you, I am in your power; but I
beg of you to be merciful, for I have twelve wretched little daughters
at home who are dependent on me.’
‘That’s the very reason why I have come to you,’ replied the lizard.
‘Bring me your youngest daughter to-morrow morning. I promise to bring
her up as if she were my own child, and to look upon her as the apple of
my eye.’
When Masaniello heard her words he was very unhappy, because he felt
sure, from the lizard’s wanting one of his daughters, the youngest and
tenderest too, that the poor little girl would only serve as dessert for
the terrible creature’s supper. At the same time he said to himself,
‘If I refuse her request, she will certainly eat me up on the spot. If
I give her what she asks she does indeed take part of myself, but if I
refuse she will take the whole of me. What am I to do, and how in the
world am I to get out of the difficulty?’
As he kept muttering to himself the lizard said, ‘Make up your mind to
do as I tell you at once. I desire to have your youngest daughter, and
if you won’t comply with my wish, I can only say it will be the worse
for you.’
Seeing that there was nothing else to be done, Masaniello set off for
his home, and arrived there looking so white and wretched that his wife
asked him at once: ‘What has happened to you, my dear husband? Have you
quarrelled with anyone, or has the poor donkey fallen down?’
‘Neither the one nor the other,’ answered her husband,’ but something
far worse than either. A terrible lizard has nearly frightened me out
of my senses, for she threatened that if I did not give her our youngest
daughter, she would make me repent it. My head is going round like a
mill-wheel, and I don’t know what to do. I am indeed between the Devil
and the Deep Sea. You know how dearly I love Renzolla, and yet, if I
fail to bring her to the lizard to-morrow morning, I must say farewell
to life. Do advise me what to do.’
When his wife had heard all he had to say, she said to him: ‘How do you
know, my dear husband, that the lizard is really our enemy? May she not
be a friend in disguise? And your meeting with her may be the beginning
of better things and the end of all our misery. Therefore go and take
the child to her, for my heart tells me that you will never repent doing
so.’
Masaniello was much comforted by her words, and next morning as soon as
it was light he took his little daughter by the hand and led her to the
cave.
The lizard, who was awaiting the peasant’s arrival, came forward to meet
him, and taking the girl by the hand, she gave the father a sack full
of gold, and said: ‘Go and marry your other daughters, and give them
dowries with this gold, and be of good cheer, for Renzolla will have
both father and mother in me; it is a great piece of luck for her that
she has fallen into my hands.’
Masaniello, quite overcome with gratitude, thanked the lizard, and
returned home to his wife.
As soon as it was known how rich the peasant had become, suitors for the
hands of his daughters were not wanting, and very soon he married them
all off; and even then there was enough gold left to keep himself and
his wife in comfort and plenty all their days.
As soon as the lizard was left alone with Renzolla, she changed the cave
into a beautiful palace, and led the girl inside. Here she brought her
up like a little princess, and the child wanted for nothing. She gave
her sumptuous food to eat, beautiful clothes to wear, and a thousand
servants to wait on her.
Now, it happened, one day, that the king of the country was hunting in a
wood close to the palace, and was overtaken by the dark. Seeing a light
shining in the palace he sent one of his servants to ask if he could get
a night’s lodging there.
When the page knocked at the door the lizard changed herself into
a beautiful woman, and opened it herself. When she heard the king’s
request she sent him a message to say that she would be delighted to see
him, and give him all he wanted.
The king, on hearing this kind invitation, instantly betook himself
to the palace, where he was received in the most hospitable manner. A
hundred pages with torches came to meet him, a hundred more waited on
him at table, and another hundred waved big fans in the air to keep the
flies from him. Renzolla herself poured out the wine for him, and, so
gracefully did she do it, that his Majesty could not take his eyes off
her.
When the meal was finished and the table cleared, the king retired
to sleep, and Renzolla drew the shoes from his feet, at the same time
drawing his heart from his breast. So desperately had he fallen in love
with her, that he called the fairy to him, and asked her for Renzolla’s
hand in marriage. As the kind fairy had only the girl’s welfare at
heart, she willingly gave her consent, and not her consent only, but a
wedding portion of seven thousand golden guineas.
The king, full of delight over his good fortune, prepared to take his
departure, accompanied by Renzolla, who never so much as thanked the
fairy for all she had done for her. When the fairy saw such a base want
of gratitude she determined to punish the girl, and, cursing her, she
turned her face into a goat’s head. In a moment Renzolla’s pretty mouth
stretched out into a snout, with a beard a yard long at the end of it,
her cheeks sank in, and her shining plaits of hair changed into two
sharp horns. When the king turned round and saw her he thought he must
have taken leave of his senses. He burst into tears, and cried out:
‘Where is the hair that bound me so tightly, where are the eyes that
pierced through my heart, and where are the lips I kissed? Am I to be
tied to a goat all my life? No, no! nothing will induce me to become the
laughing-stock of my subjects for the sake of a goat-faced girl!’
When they reached his own country he shut Renzolla up in a little turret
chamber of his palace, with a waiting-maid, and gave each of them ten
bundles of flax to spin, telling them that their task must be finished
by the end of the week.
The maid, obedient to the king’s commands, set at once to work and
combed out the flax, wound it round the spindle, and sat spinning at her
wheel so diligently that her work was quite done by Saturday evening.
But Renzolla, who had been spoilt and petted in the fairy’s house, and
was quite unaware of the change that had taken place in her appearance,
threw the flax out of the window and said: ‘What is the king thinking
of that he should give me this work to do? If he wants shirts he can
buy them. It isn’t even as if he had picked me out of the gutter, for he
ought to remember that I brought him seven thousand golden guineas as
my wedding portion, and that I am his wife and not his slave. He must be
mad to treat me like this.’
All the same, when Saturday evening came, and she saw that the
waiting-maid had finished her task, she took fright lest she should
be punished for her idleness. So she hurried off to the palace of
the fairy, and confided all her woes to her. The fairy embraced her
tenderly, and gave her a sack full of spun flax, in order that she
might show it to the king, and let him see what a good worker she was.
Renzolla took the sack without one word of thanks, and returned to
the palace, leaving the kind fairy very indignant over her want of
gratitude.
When the king saw the flax all spun, he gave Renzolla and the
waiting-maid each a little dog, and told them to look after the animals
and train them carefully.
The waiting-maid brought hers up with the greatest possible care, and
treated it almost as if it were her son. But Renzolla said: ‘I don’t
know what to think. Have I come among a lot of lunatics? Does the king
imagine that I am going to comb and feed a dog with my own hands?’ With
these words she opened the window and threw the poor little beast out,
and he fell on the ground as dead as a stone.
When a few months had passed the king sent a message to say he would
like to see how the dogs were getting on. Renzolla, who felt very
uncomfortable in her mind at this request, hurried off once more to the
fairy. This time she found an old man at the door of the fairy’s palace,
who said to her: ‘Who are you, and what do you want?’
When Renzolla heard his question she answered angrily: ‘Don’t you know
me, old Goat-beard? And how dare you address me in such a way?’
‘The pot can’t call the kettle black,’ answered the old man, ‘for it
is not I, but you who have a goat’s head. Just wait a moment, you
ungrateful wretch, and I will show you to what a pass your want of
gratitude has brought you.’
With these words he hurried away, and returned with a mirror, which he
held up before Renzolla. At the sight of her ugly, hairy face, the girl
nearly fainted with horror, and she broke into loud sobs at seeing her
countenance so changed.
Then the old man said: ‘You must remember, Renzolla, that you are a
peasant’s daughter, and that the fairy turned you into a queen; but you
were ungrateful, and never as much as thanked her for all she had done
for you. Therefore she has determined to punish you. But if you wish
to lose your long white beard, throw yourself at the fairy’s feet and
implore her to forgive you. She has a tender heart, and will, perhaps,
take pity on you.’
Renzolla, who was really sorry for her conduct, took the old man’s
advice, and the fairy not only gave her back her former face, but she
dressed her in a gold embroidered dress, presented her with a beautiful
carriage, and brought her back, accompanied by a host of servants, to
her husband. When the king saw her looking as beautiful as ever, he fell
in love with her once more, and bitterly repented having caused her so
much suffering.
So Renzolla lived happily ever afterwards, for she loved her husband,
honoured the fairy, and was grateful to the old man for having told her
the truth.
[From the Italian. Kletke.]
Story DNA
Moral
Ingratitude can lead to suffering and loss, while humility and appreciation can restore happiness and beauty.
Plot Summary
A poor peasant gives his youngest daughter, Renzolla, to a magical lizard (a fairy) in exchange for wealth. The fairy raises Renzolla in luxury, and she eventually marries a king. However, Renzolla's ingratitude towards the fairy leads to her being cursed with a goat's head. The horrified king locks her away and assigns her impossible tasks, which she only completes with the fairy's unwitting help, still without thanks. Finally, confronted by the fairy in disguise, Renzolla sees her monstrous reflection, repents her ingratitude, and is restored to her beautiful form, returning to her husband with newfound humility and appreciation.
Themes
Emotional Arc
suffering to triumph
Writing Style
Narrative Elements
Cultural Context
Andrew Lang collected this tale, likely from an Italian source (Kletke), fitting into the European tradition of fairy tales that often feature magical transformations and moral lessons.
Plot Beats (15)
- Masaniello, a poor peasant, struggles to feed his twelve daughters.
- Masaniello encounters a giant green lizard (a fairy) who demands his youngest daughter, Renzolla, in exchange for help.
- Masaniello, advised by his wife, delivers Renzolla to the fairy, who gives him a sack of gold, enabling him to marry off his other daughters and live comfortably.
- The fairy raises Renzolla in luxury in a transformed palace.
- The king, lost during a hunt, seeks shelter at the fairy's palace and falls in love with Renzolla.
- The fairy consents to the marriage and provides a large dowry for Renzolla.
- Renzolla leaves with the king without thanking the fairy, who curses her with a goat's head for her ingratitude.
- The king, horrified by Renzolla's appearance, locks her in a turret with a maid and assigns them an impossible spinning task.
- Renzolla, still ungrateful, throws her flax away but secretly seeks the fairy's help to complete the task, again without thanks.
- The king gives them a second task: to raise dogs; Renzolla, again ungrateful, throws her dog out the window.
- When the king requests to see the dogs, Renzolla goes to the fairy's palace, where she is confronted by an old man (the fairy).
- The old man shows Renzolla her reflection, revealing her goat's head, and explains it is a punishment for her ingratitude.
- Renzolla, truly remorseful, begs the fairy for forgiveness.
- The fairy restores Renzolla's beauty, dresses her richly, and sends her back to the king.
- The king, seeing Renzolla's beauty restored, repents his harshness, and they live happily ever after, with Renzolla now grateful and humble.
Characters
Masaniello ◆ supporting
Peasant, worn out from hard work
Attire: Simple peasant clothing, patched and worn
Hardworking, worried, easily frightened
Image Prompt & Upload
A young man in his mid-twenties with a determined, fiery expression, standing with a resolute posture. He has short, dark, curly hair and a few days of stubble. He wears a rough, off-white linen shirt with the sleeves rolled up, dark brown trousers held up by a leather belt, and worn leather boots. His shirt is slightly untucked, and he has a simple cloth tied around his neck. He stands with his weight on one foot, one hand clenched at his side, the other resting on a wooden staff. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Renzolla ★ protagonist
Youngest of twelve daughters, initially beautiful
Attire: Initially simple, later sumptuous dresses, then gold embroidered dress
Initially innocent, later spoiled and ungrateful, eventually repentant
Image Prompt & Upload
A determined teenage girl with a lean, agile build. She has long, dark brown hair tied in a practical braid over one shoulder, and sharp, observant green eyes. She wears a worn, forest-green tunic over brown leggings and sturdy leather boots. A simple leather satchel is slung across her body. She stands confidently, one hand resting on a tall, gnarled wooden staff, her posture alert and ready for adventure. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Lizard/Fairy ◆ supporting
Initially a huge green lizard, later a beautiful woman
Attire: As a lizard: none. As a woman: regal attire
Kind, generous, but easily offended by ingratitude
Image Prompt & Upload
A small, slender creature with the lower body of a vibrant green lizard and the upper body of a delicate fairy. It has large, luminous amber eyes and short, mossy green hair. Two pairs of translucent, dragonfly-like wings sprout from its back, shimmering with dewdrops. It wears a simple tunic woven from pale green leaves and stands on a mossy rock, one hand resting on its hip, looking curiously at the viewer with a gentle, observant expression. Misty, sun-dappled forest background. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
King ◆ supporting
King
Attire: Royal hunting attire, later regal clothing
Easily infatuated, shallow, easily disgusted
Image Prompt & Upload
A middle-aged man with a short, neatly trimmed beard and kind, wise eyes. He wears a heavy, deep blue velvet robe trimmed with white ermine fur over a golden tunic. A simple, elegant golden crown rests on his head. He stands tall with a calm, supportive expression, one hand resting gently on the pommel of a sheathed sword at his hip. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Waiting-maid ○ minor
Ordinary
Attire: Plain servant's dress
Obedient, diligent, caring
Image Prompt & Upload
A young teenage girl with a plain, weary face and mousy brown hair pulled back in a tight bun. She wears a simple, faded grey woolen dress with a patched white apron. Her posture is slightly slumped, hands clasped nervously in front of her, with a patient, downcast expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Old Man ◆ supporting
Old man at the door of the fairy's palace
Attire: Simple, old-fashioned clothing
Wise, stern, truthful
Image Prompt & Upload
An elderly man with deep wrinkles and a long white beard, wearing a simple brown tunic belted at the waist, patched at the elbows, and sturdy leather boots. His kind, weathered face shows a gentle smile, with bright blue eyes full of wisdom. He stands straight but leans slightly on a gnarled wooden staff, his posture patient and steady. He wears a soft, worn cap on his head. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Peasant's Field at Mountain Foot
A field at the base of a high mountain where Masaniello digs all day.
Mood: Desolate, impoverished
Masaniello encounters the lizard and agrees to give her his daughter.
Image Prompt & Upload
Late afternoon sun casts long golden rays across a vast, freshly-tilled field of rich, dark earth at the foot of a colossal, jagged mountain. The mountain’s snow-dusted peak pierces a clear sky with wisps of cirrus clouds. A narrow, winding dirt path cuts through the field, leading towards a distant, thatched-roof cottage nestled against the mountain's base. Scattered clumps of wildflowers—poppies and cornflowers—dot the field's edges. The air is still and clear, with a soft, warm glow illuminating the textured soil and the mountain's rugged, pine-forested slopes. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Dark and Gloomy Cave
The mouth of a cave so dark and gloomy that even the sun seems afraid to enter it.
Mood: Eerie, ominous
The lizard emerges and makes her request for Renzolla.
Image Prompt & Upload
A deep, jagged cave mouth yawns open at the base of a sheer, moss-covered cliff, shrouded in perpetual twilight. The air is thick with mist, and the last weak rays of a setting sun cast long, sickly shadows, failing to penetrate the profound, velvety darkness within. Glistening, damp stalactites hang like fangs from the entrance, while gnarled, dead roots claw at the rocky ground. The color palette is desaturated, dominated by charcoal grays, deep slate blues, and murky greens, with the faintest hint of amber light on the wet stone surfaces. The atmosphere is heavy, silent, and foreboding, as if the cave itself is a living void. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Beautiful Palace (formerly a cave)
A cave transformed into a beautiful palace with sumptuous food, beautiful clothes, and a thousand servants.
Mood: Luxurious, magical
Renzolla is raised like a princess and the King first sees her.
Image Prompt & Upload
A grand cavern transformed into a palace of glittering crystal and polished marble. Towering stalactites are encrusted with luminous gems, casting a soft, ethereal glow over vast halls. Sumptuous feasts laden with fruits and roasted meats adorn long banquet tables draped in rich silks. Gossamer fabrics and ornate gowns hang from crystal hooks along the walls. The air is still and warm, filled with a golden, magical light that seems to emanate from the very stone. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Turret Chamber
A small room in a turret of the King's palace where Renzolla is confined.
Mood: Isolated, shameful
Renzolla is imprisoned and refuses to spin, throwing the flax out the window.
Image Prompt & Upload
Late afternoon light filters through a narrow, arched stone window, casting long golden beams across the dusty floor of the small, circular chamber. The curved walls are rough-hewn grey stone, with a heavy wooden door bound by black iron straps. A single wooden stool sits beneath the window, overlooking a distant view of the palace's formal gardens and a dark, enchanted forest beyond. The air is still and quiet, filled with floating motes of dust in the slanting light. The color palette is muted greys and browns, warmed by the rich amber glow of the sun. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
Fairy's Palace
The fairy's palace, where Renzolla seeks help and is confronted with her ungratefulness.
Mood: Magical, transformative
Renzolla sees her goat face in the mirror and begs for forgiveness.
Image Prompt & Upload
Twilight mist swirls around a palace of living crystal, its spires and arches formed from polished moonstone and pearl. The architecture is impossibly delicate, with flowing, organic curves and faceted domes that catch the last light of a setting sun, casting long prismatic shadows. The air is still and cool, filled with a soft, silver luminescence. Glowing vines of bioluminescent flora crawl up the translucent walls, pulsing gently in hues of soft blue and violet. A grand, arched gateway stands open, revealing a courtyard paved with smooth, opalescent tiles. Surrounding the palace are gardens of oversized, glowing moonflowers and silver-leafed trees, their branches heavy with dew that sparkles like scattered diamonds. The atmosphere is one of profound, ancient magic and serene, watchful silence. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.