Rosanella

by Andrew Lang · from The Green Fairy Book

fairy tale transformation whimsical Ages 8-14 1988 words 9 min read
Cover: Rosanella

Adapted Version

CEFR A1 Age 5 482 words 3 min Canon 100/100

Once, a fairy queen loved her people a lot. She was kind and good. One day, she went away always. The fairies were sad. They needed a new queen. They needed a new leader. Two fairies, Sura and Pari, wanted to be queen. They were both nice and smart. They had a magic challenge. Sura would make a charming prince. Pari would make a charming princess. The fairies watched and waited.

Pari knew a king and queen. They were kind. They had baby Rosa. Rosa was sweet and pretty. Pari borrowed the baby for her magic plan. She took Rosa gently. The king and queen felt very sad. They missed their baby girl every day.

One day, twelve baby girls appeared. It was a surprise! Each had a pink rose on her neck. The queen took care of them. She fed them and played with them. She named them Sweet, Happy, Joy. They were all very nice and kind. They grew up to be lovely girls. They were happy and helpful.

Sura made a prince named Prince Mirl. He was very charming and handsome. But he liked many things, not just one. He was nice to everyone he met. He smiled a lot.

Prince Mirl visited the king and queen. He came to their big castle. He met the twelve Rose Girls. They were pretty and kind. He liked all twelve girls a lot. He thought he loved them all. He was happy to see them. He danced with them.

One day, there was a garden party. It was fun and sunny. Big friendly bees came. They buzzed around. The bees took the twelve girls away. They flew up high. Prince Mirl felt very sad. He cried and cried. He wanted his friends back.

He was sad for a long time. He did not want to meet other princesses. He only wanted the Rose Girls. Sura was not happy. She wanted the prince to be happy. She tried to help him.

Then Pari came back. She came in a shiny chariot. It sparkled in the sun. A pretty princess was with her. It was a happy surprise. Everyone was glad to see them.

Pari said the princess was Rosa. "I borrowed her," she said. "I made the twelve girls to help you. To teach you to love truly. Now you can love one person."

Prince Mirl saw Rosa. She was special and beautiful. He decided to love only her. He knew she was the one for him. He felt happy again.

He asked Rosa to marry him. She said yes! Pari became the new fairy queen. All were happy for them. They clapped and cheered.

They had a happy wedding. There were flowers and music. The prince loved only Rosa always. All were happy. It is good to love one person with all your love. And they lived happy always. The end.

Original Story 1988 words · 9 min read

ROSANELLA

Everybody knows that though the fairies live hundreds of years they do

sometimes die, and especially as they are obliged to pass one day in

every week under the form of some animal, when of course they are liable

to accident. It was in this way that death once overtook the Queen of

the Fairies, and it became necessary to call a general assembly to elect

a new sovereign. After much discussion, it appeared that the choice lay

between two fairies, one called Surcantine and the other Paridamie; and

their claims were so equal that it was impossible without injustice to

prefer one to the other. Under these circumstances it was unanimously

decided that whichever of the two could show to the world the greatest

wonder should be Queen; but it was to be a special kind of wonder, no

moving of mountains or any such common fairy tricks would do.

Surcantine, therefore, resolved that she would bring up a Prince whom

nothing could make constant. While Paridamie decided to display to

admiring mortals a Princess so charming that no one could see her

without falling in love with her. They were allowed to take their own

time, and meanwhile the four oldest fairies were to attend to the

affairs of the kingdom.

Now Paridamie had for a long time been very friendly with King

Bardondon, who was a most accomplished Prince, and whose court was the

model of what a court should be. His Queen, Balanice, was also charming;

indeed it is rare to find a husband and wife so perfectly of one mind

about everything. They had one little daughter, whom they had named

'Rosanella,' because she had a little pink rose printed upon her white

throat. From her earliest infancy she had shown the most astonishing

intelligence, and the courtiers knew her smart sayings by heart, and

repeated them on all occasions. In the middle of the night following the

assembly of fairies, Queen Balanice woke up with a shriek, and when her

maids of honour ran to see what was the matter, they found she had had a

frightful dream.

'I thought,' said she, 'that my little daughter had changed into a

bouquet of roses, and that as I held it in my hand a bird swooped down

suddenly and snatched it from me and carried it away.'

'Let some one run and see that all is well with the Princess,' she

added.

[Illustration]

So they ran; but what was their dismay when they found that the cradle

was empty; and though they sought high and low, not a trace of Rosanella

could they discover. The Queen was inconsolable, and so, indeed, was the

King, only being a man he did not say quite so much about his feelings.

He presently proposed to Balanice that they should spend a few days at

one of their palaces in the country; and to this she willingly agreed,

since her grief made the gaiety of the capital distasteful to her. One

lovely summer evening, as they sat together on a shady lawn shaped like

a star, from which radiated twelve splendid avenues of trees, the Queen

looked round and saw a charming peasant-girl approaching by each path,

and what was still more singular was that everyone carried something in

a basket which appeared to occupy her whole attention. As each drew near

she laid her basket at Balanice's feet, saying:

'Charming Queen, may this be some slight consolation to you in your

unhappiness!'

The Queen hastily opened the baskets, and found in each a lovely

baby-girl, about the same age as the little Princess for whom she

sorrowed so deeply. At first the sight of them renewed her grief; but

presently their charms so gained upon her that she forgot her melancholy

in providing them with nursery-maids, cradle-rockers, and

ladies-in-waiting, and in sending hither and thither for swings and

dolls and tops, and bushels of the finest sweetmeats.

Oddly enough, every baby had upon its throat a tiny pink rose. The Queen

found it so difficult to decide on suitable names for all of them, that

until she could settle the matter she chose a special colour for

everyone, by which it was known, so that when they were all together

they looked like nothing so much as a nosegay of gay flowers. As they

grew older it became evident that though they were all remarkably

intelligent, and profited equally by the education they received, yet

they differed one from another in disposition, so much so that they

gradually ceased to be known as 'Pearl,' or 'Primrose,' or whatever

might have been their colour, and the Queen instead would say:

'Where is my Sweet?' or 'my Beautiful,' or 'my Gay.'

Of course, with all these charms they had lovers by the dozen. Not only

in their own court, but princes from afar, who were constantly arriving,

attracted by the reports which were spread abroad; but these lovely

girls, the first Maids of Honour, were as discreet as they were

beautiful, and favoured no one.

But let us return to Surcantine. She had fixed upon the son of a king

who was cousin to Bardondon, to bring up as her fickle Prince. She had

before, at his christening, given him all the graces of mind and body

that a prince could possibly require; but now she redoubled her efforts,

and spared no pains in adding every imaginable charm and fascination. So

that whether he happened to be cross or amiable, splendidly or simply

attired, serious or frivolous, he was always perfectly irresistible! In

truth, he was a charming young fellow, since the Fairy had given him the

best heart in the world as well as the best head, and had left nothing

to be desired but--constancy. For it cannot be denied that Prince

Mirliflor was a desperate flirt, and as fickle as the wind; so much so,

that by the time he arrived at his eighteenth birthday there was not a

heart left for him to conquer in his father's kingdom--they were all his

own, and he was tired of everyone! Things were in this state when he was

invited to visit the court of his father's cousin, King Bardondon.

Imagine his feelings when he arrived and was presented at once to twelve

of the loveliest creatures in the world, and his embarrassment was

heightened by the fact that they all liked him as much as he liked each

one of them, so that things came to such a pass that he was never happy

a single instant without them. For could he not whisper soft speeches to

Sweet, and laugh with Joy, while he looked at Beauty? And in his more

serious moments what could be pleasanter than to talk to Grave upon some

shady lawn, while he held the hand of Loving in his own, and all the

others lingered near in sympathetic silence? For the first time in his

life he really loved, though the object of his devotion was not one

person, but twelve, to whom he was equally attached, and even Surcantine

was deceived into thinking that this was indeed the height of

inconstancy. But Paridamie said not a word.

In vain did Prince Mirliflor's father write commanding him to return,

and proposing for him one good match after another. Nothing in the world

could tear him from his twelve enchantresses.

One day the Queen gave a large garden-party, and just as the guests were

all assembled, and Prince Mirliflor was as usual dividing his attentions

between the twelve beauties, a humming of bees was heard. The

Rose-maidens, fearing their stings, uttered little shrieks, and fled all

together to a distance from the rest of the company. Immediately, to the

horror of all who were looking on, the bees pursued them, and, growing

suddenly to an enormous size, pounced each upon a maiden and carried her

off into the air, and in an instant they were all lost to view. This

amazing occurrence plunged the whole court into the deepest affliction,

and Prince Mirliflor, after giving way to the most violent grief at

first, fell gradually into a state of such deep dejection that it was

feared if nothing could rouse him he would certainly die. Surcantine

came in all haste to see what she could do for her darling, but he

rejected with scorn all the portraits of lovely princesses which she

offered him for his collection. In short, it was evident that he was in

a bad way, and the Fairy was at her wits' end. One day, as he wandered

about absorbed in melancholy reflections, he heard sudden shouts and

exclamations of amazement, and if he had taken the trouble to look up he

could not have helped being as astonished as everyone else, for through

the air a chariot of crystal was slowly approaching which glittered in

the sunshine. Six lovely maidens with shining wings drew it by

rose-coloured ribbons, while a whole flight of others, equally

beautiful, were holding long garlands of roses crossed above it, so as

to form a complete canopy. In it sat the Fairy Paridamie, and by her

side a Princess whose beauty positively dazzled all who saw her. At the

foot of the great staircase they descended, and proceeded to the Queen's

apartments, though everyone had run together to see this marvel, till it

was quite difficult to make a way through the crowd; and exclamations of

wonder rose on all sides at the loveliness of the strange Princess.

'Great Queen,' said Paridamie, 'permit me to restore to you your

daughter Rosanella, whom I stole out of her cradle.'

After the first transports of joy were over the Queen said to Paridamie:

'But my twelve lovely ones, are they lost to me for ever? Shall I never

see them again?'

But Paridamie only said:

'Very soon you will cease to miss them!' in a tone that evidently meant

'Don't ask me any more questions.' And then mounting again into her

chariot she swiftly disappeared.

The news of his beautiful cousin's arrival was soon carried to the

Prince, but he had hardly the heart to go and see her. However, it

became absolutely necessary that he should pay his respects, and he had

scarcely been five minutes in her presence before it seemed to him that

she combined in her own charming person all the gifts and graces which

had so attracted him in the twelve Rose-maidens whose loss he had so

truly mourned; and after all it is really more satisfactory to make love

to one person at a time. So it came to pass that before he knew where he

was he was entreating his lovely cousin to marry him, and the moment the

words had left his lips, Paridamie appeared, smiling and triumphant, in

the chariot of the Queen of the Fairies, for by that time they had all

heard of her success, and declared her to have earned the kingdom. She

had to give a full account of how she had stolen Rosanella from her

cradle, and divided her character into twelve parts, that each might

charm Prince Mirliflor, and when once more united might cure him of his

inconstancy once and for ever.

[Illustration: THE PRINCESS CARRIED OFF BY THE BEES]

And as one more proof of the fascination of the whole Rosanella, I may

tell you that even the defeated Surcantine sent her a wedding gift, and

was present at the ceremony which took place as soon as the guests could

arrive. Prince Mirliflor was constant for the rest of his life. And

indeed who would not have been in his place? As for Rosanella, she loved

him as much as all the twelve beauties put together, so they reigned in

peace and happiness to the end of their long lives.

By the Comte de Caylus.


Story DNA fairy tale · whimsical

Moral

True love and constancy can be found when one's affections are unified, rather than scattered among many.

Plot Summary

After the Fairy Queen dies, two fairies, Surcantine and Paridamie, compete to create the greatest wonder. Surcantine cultivates Prince Mirliflor to be irresistibly charming but inconstant, while Paridamie steals infant Princess Rosanella, dividing her essence into twelve beautiful maidens. Mirliflor falls for all twelve maidens, confirming his inconstancy, but when they are magically abducted, he falls into despair. Paridamie then reveals the true Rosanella, whose unified charm cures Mirliflor's inconstancy, leading to their marriage and Paridamie's triumph as the new Fairy Queen.

Themes

constancy vs. inconstancythe nature of lovethe power of enchantmentthe pursuit of perfection

Emotional Arc

grief to joy

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: rule of two (fairies, princes), direct address to reader (e.g., "Everybody knows...")

Narrative Elements

Conflict: person vs supernatural
Ending: happy
Magic: fairies with powers (stealing, transforming, enchanting), magical creation of maidens from one princess's essence, giant bees carrying people away, crystal chariot
the pink rose mark (Rosanella's identity)the twelve maidens (fragmented charm/inconstancy)the crystal chariot (Paridamie's triumph)

Cultural Context

Origin: French
Era: timeless fairy tale

Andrew Lang collected this tale, originally by Comte de Caylus, a French writer of the 18th century, reflecting Enlightenment-era fascination with fairy tales but often with a more refined, less rustic tone than older folk tales.

Plot Beats (14)

  1. Fairy Queen dies, requiring a new election between Surcantine and Paridamie.
  2. Fairies decide the one who creates the greatest wonder will be queen: Surcantine aims for an inconstant prince, Paridamie for an irresistibly charming princess.
  3. Paridamie steals infant Princess Rosanella from her cradle, leaving Queen Balanice and King Bardondon heartbroken.
  4. Twelve baby girls, each with a rose mark, mysteriously appear and are adopted by the Queen, growing into beautiful maidens known by their qualities (Sweet, Joy, Beauty, etc.).
  5. Surcantine raises Prince Mirliflor, endowing him with irresistible charm but profound inconstancy.
  6. Prince Mirliflor, having conquered all hearts in his own kingdom, visits King Bardondon's court.
  7. Mirliflor falls equally in love with all twelve Rose-maidens, believing he has found true love, though it's still a form of inconstancy.
  8. During a garden party, giant bees carry off the twelve Rose-maidens, causing Mirliflor immense grief and despair.
  9. Mirliflor becomes inconsolable, rejecting all other princesses, much to Surcantine's dismay.
  10. Paridamie arrives in a magnificent crystal chariot, accompanied by a dazzlingly beautiful princess.
  11. Paridamie reveals the princess is the true Rosanella, explaining she stole her and divided her essence into the twelve maidens to cure Mirliflor's inconstancy.
  12. Mirliflor, seeing Rosanella, realizes she embodies all the charms he loved in the twelve, and his inconstancy is cured.
  13. Mirliflor proposes to Rosanella; Paridamie is declared the new Fairy Queen.
  14. Rosanella and Mirliflor marry, he remains constant, and they live happily ever after.

Characters 6 characters

Rosanella ★ protagonist

human child female

Remarkably intelligent and beautiful

Attire: Royal infant attire, later princess gowns

Tiny pink rose birthmark on her throat

Charming, intelligent, captivating

Image Prompt & Upload
A young woman in her late teens with long, wavy chestnut hair adorned with tiny white flowers. She has bright, curious green eyes and a determined yet gentle expression. She wears a flowing, sky-blue dress with puffed sleeves and a corseted bodice embroidered with silver vines. A brown leather satchel is slung over her shoulder. She stands in a graceful walking pose, one foot slightly forward, her hand lightly touching a tree branch. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Prince Mirliflor ★ protagonist

human young adult male

Charming and handsome

Attire: Princely attire, fashionable for the period

His constantly roving eyes

Fickle, easily charmed, ultimately capable of constancy

Image Prompt & Upload
A handsome young prince in his early twenties with a noble, determined expression and striking features. He has short dark brown hair with a slight wave, strong jawline, and bright hazel eyes. He wears a fitted royal blue doublet with gold embroidery along the collar and sleeves, a crimson sash across his chest, white fitted trousers tucked into polished black leather boots that reach mid-calf. A short burgundy cape drapes over one shoulder, fastened with a golden clasp shaped like a lion. He stands confidently with one hand resting on the jeweled hilt of a sheathed sword at his belt, the other arm relaxed at his side. His posture is upright and regal, shoulders back, chin slightly raised with a gentle, hopeful smile. He appears brave and kind-hearted, embodying the classic fairy tale hero archetype. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature

Queen Balanice ◆ supporting

human adult female

Charming

Attire: Royal gowns and jewels

Her look of utter despair when Rosanella disappears

Loving, maternal, easily grieved

Image Prompt & Upload
A regal woman in her mid-forties with kind, wise eyes and a gentle, supportive smile. She has elegant silver-streaked auburn hair swept up in a complex braided updo adorned with small pearl pins. She wears a flowing gown of deep sapphire velvet with intricate gold embroidery along the neckline and sleeves, a high collar, and a full floor-length skirt. A heavy, ornate golden crown rests on her head, set with sapphires and pearls. She stands with a dignified, upright posture, one hand resting lightly over her heart in a gesture of quiet assurance. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Paridamie ◆ supporting

fairy ageless female

Beautiful and powerful

Attire: Fairy garments, shimmering and otherworldly

Her crystal chariot drawn by winged maidens

Resourceful, clever, determined

Image Prompt & Upload
An elderly woman with a kind, weathered face and warm, crinkled eyes. Long, flowing silver hair is braided with small, glowing wildflowers. She wears layered, earth-toned robes of moss green and soft brown, adorned with intricate embroidery of vines and leaves. She stands in a serene forest glade, one hand gently resting on the bark of an ancient tree, the other hand slightly outstretched in a welcoming gesture. Her posture is relaxed and benevolent, with a soft, knowing smile. Soft, dappled sunlight filters through the canopy above, illuminating her figure. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Surcantine ⚔ antagonist

fairy ageless female

Powerful

Attire: Fairy garments, regal and imposing

Her disappointed frown when Mirliflor is not fickle

Competitive, prideful, ultimately gracious

Image Prompt & Upload
A tall, gaunt figure with a sharp, angular face and pale skin. He has deep-set, piercing eyes and slicked-back dark hair. He wears a long, high-collared black coat over dark trousers and polished boots. His expression is cold and calculating, a faint, cruel smirk on his thin lips. He stands rigidly with one gloved hand resting on the head of an ornate cane, his posture conveying quiet authority and menace. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Rose-maidens ◆ supporting

human young adult female

Twelve lovely creatures

Attire: Elegant gowns, each in a different color

Each girl's dress and demeanor matching her name (e.g., 'Joy' always laughing)

Each embodies a specific virtue or trait: Sweet, Joy, Beauty, Grave, Loving, etc.

Image Prompt & Upload
Three young women with hair like rose petals in shades of blush, cream, and deep crimson. They wear flowing gowns of layered silk that mimic unfurling rose blossoms, in matching soft pinks and greens. Their expressions are serene and gentle, with soft smiles and downcast eyes. They stand in a close, graceful cluster, their postures relaxed and elegant, as if sharing a quiet secret. One holds a single perfect rosebud. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 4 locations
No image yet

Royal Bedchamber

indoor night

Queen Balanice's room where she has a nightmare about Rosanella turning into a bouquet of roses and being carried away by a bird.

Mood: eerie, anxious

Rosanella is stolen from her cradle.

cradle maids of honor bed empty cradle
Image Prompt & Upload
A vast, moonlit royal bedchamber in deep night, bathed in cold silver-blue light filtering through tall arched windows. An enormous four-poster bed with rumpled, dark velvet curtains dominates the space. Scattered across the stone floor and silken sheets are fresh, dewy red rose petals, glowing faintly in the gloom. A single, large white feather rests on the windowsill. The room's opulent gilded furniture and tapestries are cast in dramatic, elongated shadows, creating an atmosphere of eerie stillness and surreal unease. A faint, ghostly impression of a large bird's shadow is cast upon the far wall by the moonlight. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Star-Shaped Lawn with Avenues

outdoor evening summer

A shady lawn shaped like a star, from which radiated twelve splendid avenues of trees.

Mood: peaceful, mysterious

The Queen finds twelve baby girls, each with a pink rose on her throat.

lawn star shape twelve avenues of trees baskets babies
Image Prompt & Upload
Late afternoon golden hour light filters through a canopy of ancient, towering trees, casting long shadows across a vast, emerald-green lawn meticulously shaped like a perfect five-pointed star. Twelve grand avenues, each lined with majestic oaks or elms, radiate outward from the lawn's center like sunbeams, their leafy tunnels dappled with warm, amber light. The air is still and serene, with a soft mist hovering just above the grass. In the very heart of the star, a simple, moss-covered stone fountain quietly bubbles. The scene is lush, symmetrical, and bathed in a magical, tranquil glow. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

Gardens

outdoor

Large gardens where the Queen hosts a garden party.

Mood: festive, chaotic

The Rose-maidens are carried off by giant bees.

guests bees Rose-maidens flowers
Image Prompt & Upload
A grand royal garden in late afternoon, bathed in soft golden sunlight with a few wispy clouds. Expansive manicured lawns of emerald green are bordered by intricate flower beds bursting with roses, lavender, and tulips in pastel pinks, purples, and whites. A central marble fountain with delicate carvings sends sparkling water into the air. Stone pathways with ornate patterns lead to a distant classical palace facade with tall arched windows and ivy-covered walls. Ancient oak trees provide dappled shade, and trimmed hedges form elegant geometric patterns. The atmosphere is serene and opulent, with a warm, inviting glow highlighting the textures of stone and foliage. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Air above the Kingdom

transitional

The sky where a chariot of crystal appears.

Mood: magical, wondrous

Paridamie returns Rosanella in a magical chariot.

chariot of crystal maidens with wings rose-colored ribbons garlands of roses Paridamie Rosanella
Image Prompt & Upload
At dawn, a vast sky of soft rose and gold gradients stretches above a distant kingdom of spires and turrets barely visible through a sea of clouds. Dominating the scene is a magnificent chariot crafted entirely of luminous, translucent crystal, its facets refracting the first light into dazzling prismatic shards. It glides silently on an invisible current, leaving a faint trail of shimmering stardust. Below, fluffy cumulus clouds glow with a warm underlight, and the air itself seems to sparkle with suspended ice crystals. The atmosphere is serene, magical, and breathtakingly clear. No border, no frame, no watermark, no text, no signature, edge-to-edge illustration.