Clever Maria

by Andrew Lang · from The Crimson Fairy Book

fairy tale transformation whimsical Ages 8-14 1525 words 7 min read
Cover: Clever Maria

Adapted Version

CEFR A1 Age 5 427 words 2 min Canon 95/100

Once, there was a clever girl, Maria. She was very clever and kind. She lived with her father and two sisters. Her father gave them three basil pots. The pots were small and pretty. “Let no one in,” he said. Then he went on a journey.

The next day, the King came to visit. Maria played a hiding game. She hid behind a big tree. She went to a neighbor’s house to sleep. Her basil pot grew big and green. Her sisters’ pots died. Maria was happy her pot grew.

Maria’s First Sister wanted some fruit. She saw medlars in the King’s garden. The medlars looked red and sweet. Maria climbed down a rope to get them. She moved very quietly. She sneaked past the garden man. Then she climbed back up. She gave the fruit to her sister.

Her Second Sister wanted a fruit. Maria went into the garden again. The garden had many plants. She saw the King from far away. She hid behind a bush very quickly. The King could not find her. She took the fruit back home.

Maria’s sisters married the King’s friends. The King felt very sad. He missed clever Maria. He thought about her every day.

Maria took her sisters’ babies to play. She put them in a pretty basket. The basket was soft and safe. She gave them to the King as gifts. The King was surprised. He smiled at the babies.

Maria’s father came home. The King asked for a stone coat. Or he wanted Maria. Father did not know what to do. He looked worried.

Maria had a clever idea. She told her father to measure the King. She said, “Ask for his size.” But the King still wanted Maria. He said, “Bring Maria to me.”

Maria made a doll that looked like her. The doll was small and cute. She put a string on its head. She hid under the King’s bed. She waited quietly.

The King talked to the doll. He asked about her playful tricks. He said, “Did you take the fruit?” Maria pulled the string. The doll nodded for yes. The King asked more questions.

The King got angry. He broke the doll by mistake. He felt very sad. He started to cry. He said, “I am sorry.”

The real Maria came out. She gave the King a hug. The King said he was sorry. They became best friends. They laughed together.

Clever Maria and the King are happy. They smile and hold hands. They play games every day. They are happy forever.

Original Story 1525 words · 7 min read

Cover

Clever Maria

There was once a merchant who lived close to the royal palace, and had

three daughters. They were all pretty, but Maria, the youngest, was the

prettiest of the three. One day the king sent for the merchant, who was

a widower, to give him directions about a journey he wished the good

man to take. The merchant would rather not have gone, as he did not

like leaving his daughters at home, but he could not refuse to obey the

king’s commands, and with a heavy heart he returned home to say

farewell to them. Before he left, he took three pots of basil, and gave

one to each girl, saying, “I am going a journey, but I leave these

pots. You must let nobody into the house. When I come back, they will

tell me what has happened.” “Nothing will have happened,” said the

girls.

The father went away, and the following day the king, accompanied by

two friends, paid a visit to the three girls, who were sitting at

supper. When they saw who was there, Maria said, “Let us go and get a

bottle of wine from the cellar. I will carry the key, my eldest sister

can take the light, while the other brings the bottle.” But the king

replied, “Oh, do not trouble; we are not thirsty.” “Very well, we will

not go,” answered the two elder girls; but Maria merely said, “I shall

go, anyhow.” She left the room, and went to the hall where she put out

the light, and putting down the key and the bottle, ran to the house of

a neighbour, and knocked at the door. “Who is there so late?” asked the

old woman, thrusting her head out of the window.

“Oh, let me in,” answered Maria. “I have quarrelled with my eldest

sister, and as I do not want to fight any more, I have come to beg you

to allow me to sleep with you.”

So the old woman opened the door and Maria slept in her house. The king

was very angry at her for playing truant, but when she returned home

the next day, she found the plants of her sisters withered away,

because they had disobeyed their father. Now the window in the room of

the eldest overlooked the gardens of the king, and when she saw how

fine and ripe the medlars were on the trees, she longed to eat some,

and begged Maria to scramble down by a rope and pick her a few, and she

would draw her up again. Maria, who was good-natured, swung herself

into the garden by the rope, and got the medlars, and was just making

the rope fast under her arms so as to be hauled up, when her sister

cried: “Oh, there are such delicious lemons a little farther on. You

might bring me one or two.” Maria turned round to pluck them, and found

herself face to face with the gardener, who caught hold of her,

exclaiming, “What are you doing here, you little thief?” “Don’t call me

names,” she said, “or you will get the worst of it,” giving him as she

spoke such a violent push that he fell panting into the lemon bushes.

Then she seized the cord and clambered up to the window.

The next day the second sister had a fancy for bananas and begged so

hard, that, though Maria had declared she would never do such a thing

again, at last she consented, and went down the rope into the king’s

garden. This time she met the king, who said to her, “Ah, here you are

again, cunning one! Now you shall pay for your misdeeds.”

And he began to cross-question her about what she had done. Maria

denied nothing, and when she had finished, the king said again, “Follow

me to the house, and there you shall pay the penalty.” As he spoke, he

started for the house, looking back from time to time to make sure that

Maria had not run away. All of a sudden, when he glanced round, he

found she had vanished completely, without leaving a trace of where she

had gone. Search was made all through the town, and there was not a

hole or corner which was not ransacked, but there was no sign of her

anywhere. This so enraged the king that he became quite ill, and for

many months his life was despaired of.

Meanwhile the two elder sisters had married the two friends of the

king, and were the mothers of little daughters. Now one day Maria stole

secretly to the house where her elder sister lived, and snatching up

the children put them into a beautiful basket she had with her, covered

with flowers inside and out, so that no one would ever guess it held

two babies. Then she dressed herself as a boy, and placing the basket

on her head, she walked slowly past the palace, crying as she went:

“Who will carry these flowers to the king, who lies sick of love?”

And the king in his bed heard what she said, and ordered one of his

attendants to go out and buy the basket. It was brought to his bedside,

and as he raised the lid cries were heard, and peeping in he saw two

little children. He was furious at this new trick which he felt had

been played on him by Maria, and was still looking at them, wondering

how he should pay her out, when he was told that the merchant, Maria’s

father, had finished the business on which he had been sent and

returned home. Then the king remembered how Maria had refused to

receive his visit, and how she had stolen his fruit, and he determined

to be revenged on her. So he sent a message by one of his pages that

the merchant was to come to see him the next day, and bring with him a

coat made of stone, or else he would be punished. Now the poor man had

been very sad since he got home the evening before, for though his

daughters had promised that nothing should happen while he was away, he

had found the two elder ones married without asking his leave. And now

there was this fresh misfortune, for how was he to make a coat of

stone? He wrung his hands and declared that the king would be the ruin

of him, when Maria suddenly entered. “Do not grieve about the coat of

stone, dear father; but take this bit of chalk, and go to the palace

and say you have come to measure the king.” The old man did not see the

use of this, but Maria had so often helped him before that he had

confidence in her, so he put the chalk in his pocket and went to the

palace.

“That is no good,” said the king, when the merchant had told him what

he had come for.

“Well, I can’t make the coat you want,” replied he.

“Then if you would save your head, hand over to me your daughter

Maria.”

The merchant did not reply, but went sorrowfully back to his house,

where Maria sat waiting for him.

“Oh, my dear child, why was I born? The king says that, instead of the

coat, I must deliver you up to him.”

“Do not be unhappy, dear father, but get a doll made, exactly like me,

with a string attached to its head, which I can pull for ‘Yes’ and

‘No.’”

So the old man went out at once to see about it.

The king remained patiently in his palace, feeling sure that this time

Maria could not escape him; and he said to his pages, “If a gentleman

should come here with his daughter and ask to be allowed to speak with

me, put the young lady in my room and see she does not leave it.”

When the door was shut on Maria, who had concealed the doll under her

cloak, she hid herself under the couch, keeping fast hold of the string

which was fastened to its head.

“Senhora Maria, I hope you are well,” said the king when he entered the

room. The doll nodded. “Now we will reckon up accounts,” continued he,

and he began at the beginning, and ended up with the flower-basket, and

at each fresh misdeed Maria pulled the string, so that the doll’s head

nodded assent. “Who-so mocks at me merits death,” declared the king

when he had ended, and drawing his sword, cut off the doll’s head. It

fell towards him, and as he felt the touch of a kiss, he exclaimed,

“Ah, Maria, Maria, so sweet in death, so hard to me in life! The man

who could kill you deserves to die!” And he was about to turn his sword

on himself, when the true Maria sprung out from under the bed, and

flung herself into his arms. And the next day they were married and

lived happily for many years.

[From the Portuguese.]


Story DNA fairy tale · whimsical

Moral

Cleverness and wit can overcome even the most powerful adversaries, and true affection can emerge from initial conflict.

Plot Summary

Clever Maria, the youngest of three sisters, repeatedly outwits a king who initially seeks revenge for her defiance. After evading his visits and stealing from his garden, she even tricks him into buying her sisters' babies. When the king demands her from her father, Maria creates a doll in her likeness to deceive him. The king, believing he has killed Maria, is overcome with remorse, at which point the real Maria reveals herself, leading to their marriage and a happy ending.

Themes

cleverness over powerdefiance and independencejustice and revenge (initially)love and reconciliation

Emotional Arc

conflict to resolution and love

Writing Style

Voice: third person omniscient
Pacing: brisk
Descriptive: moderate
Techniques: rule of three (daughters, basil pots, king's friends)

Narrative Elements

Conflict: person vs person (Maria vs King, Maria vs sisters)
Ending: happy
Magic: basil pots as indicators of obedience/disobedience
basil pots (obedience/truth), doll (deception/sacrifice), stolen fruit (temptation/defiance)

Cultural Context

Origin: Portuguese
Era: timeless fairy tale

Fairy tales often reflect societal structures where kings hold absolute power and commoners must use wit to navigate challenges.

Plot Beats (13)

  1. A merchant leaves his three daughters, including clever Maria, with basil pots as a test of their obedience while he's away.
  2. The king visits the daughters; Maria cleverly avoids him by feigning a quarrel and staying with a neighbor, her basil pot thrives.
  3. Maria's elder sister tricks her into stealing medlars from the king's garden, where Maria pushes the gardener.
  4. Maria's second sister tricks her into stealing bananas; Maria encounters the king but vanishes before he can punish her.
  5. Maria's sisters marry the king's friends while Maria is in hiding; the king falls ill from his unrequited anger/love for Maria.
  6. Maria, disguised as a boy, steals her sisters' babies and sells them to the sick king as 'flowers'.
  7. The merchant returns, finding his elder daughters married without his consent, and is then commanded by the king to bring a 'coat of stone' or Maria.
  8. Maria instructs her father to demand to measure the king for the coat, which the king rejects, demanding Maria instead.
  9. Maria creates a doll in her likeness with a string for 'yes' and 'no' and hides herself when brought to the king's room.
  10. The king recounts Maria's 'misdeeds' to the doll, which 'assents' to each charge.
  11. The king, declaring death for those who mock him, decapitates the doll, then feels a kiss and is filled with remorse, preparing to kill himself.
  12. The real Maria emerges from hiding, stops the king, and they reconcile.
  13. Maria and the king marry and live happily ever after.

Characters 5 characters

Maria ★ protagonist

human young adult female

Prettiest of the three sisters

Attire: Simple dresses appropriate for a merchant's daughter in a historical Portuguese setting

Hiding under a couch, clutching a string attached to a doll

Clever, resourceful, good-natured

Image Prompt & Upload
A young woman in her late teens with long, wavy chestnut hair and bright, determined hazel eyes. She wears a simple yet elegant forest-green dress with a high waist and flowing skirt, a brown leather corset belt cinching her waist, and sturdy ankle boots. Her posture is upright and ready, one hand resting on her hip while the other holds a worn leather satchel. Her expression is hopeful and courageous, gazing forward with a slight, confident smile. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King ⚔ antagonist

human adult male

Not specified, but implied to be of noble bearing

Attire: Royal attire, including robes, crown, and sword

About to stab himself with his own sword, thinking he killed Maria

Vengeful, easily tricked, ultimately forgiving

Image Prompt & Upload
A middle-aged man with a stern, angular face, cold grey eyes, and a neatly trimmed dark beard. He wears an elaborate, deep crimson velvet robe with gold embroidery and a high collar, over a black doublet. A heavy golden crown sits atop his dark, swept-back hair. His posture is rigid and imposing, standing tall with one hand resting on the pommel of a sheathed sword at his hip, the other holding a dark wooden scepter. His expression is one of cold authority and disdain. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Merchant ◆ supporting

human adult male

Not specified, but implied to be of middle age

Attire: Merchant's clothing, simple but respectable

Holding a piece of chalk, looking confused

Anxious, easily manipulated, loving father

Image Prompt & Upload
A middle-aged man with a neatly trimmed beard and kind, weathered eyes. He wears a practical woolen tunic of deep green over a linen shirt, secured with a leather belt holding a small coin pouch. A heavy, patched cloak is draped over his shoulders. He stands beside a wooden cart laden with colorful bolts of fabric and clay jars, adjusting a bundle of silk with a thoughtful expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Eldest Sister ○ minor

human young adult female

Pretty, but not as pretty as Maria

Attire: Simple dresses appropriate for a merchant's daughter in a historical Portuguese setting

Longing for medlars from the king's garden

Envious, lazy

Image Prompt & Upload
A young woman in her late teens with a serious, responsible expression. She wears a practical, long-sleeved dress of faded blue linen, covered by a clean white apron. Her light brown hair is neatly braided and pinned up. She stands with a confident posture, one hand resting on her hip, the other holding a large ring of iron keys. She is in a simple, rustic kitchen with wooden shelves. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

Second Sister ○ minor

human young adult female

Pretty, but not as pretty as Maria

Attire: Simple dresses appropriate for a merchant's daughter in a historical Portuguese setting

Longing for bananas from the king's garden

Envious, lazy

Image Prompt & Upload
A young woman in her late teens with soft brown hair braided into a simple plait over one shoulder. She has gentle hazel eyes and a modest, somewhat shy expression. She wears a simple pale blue linen dress with a white apron, the hem slightly worn. A small wooden pendant hangs around her neck. Her posture is humble and slightly hunched, hands clasped gently in front of her. She stands with bare feet on soft grass, looking slightly off to the side with a wistful gaze. Her features are plain but kind, with a light dusting of freckles across her nose. She carries a small woven basket filled with wildflowers in one hand. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature
Locations 3 locations
No image yet

Merchant's House

indoor

Home to the merchant and his three daughters, containing pots of basil and a cellar for wine.

Mood: Initially peaceful, later anxious and secretive.

The father gives the basil pots to his daughters, and Maria tricks the king during his visit.

basil pots wine cellar supper table
Image Prompt & Upload
Evening light glows warmly from the windows of a quaint, two-story timber-and-stone merchant's house nestled in a cobblestone courtyard. A thatched roof slopes gently, and a wooden cellar door is set into the foundation near a climbing rose bush. On the wide stone windowsills and rustic wooden shelves outside, lush terracotta pots overflow with vibrant green basil, their leaves catching the last golden rays. The air is still and peaceful, with the soft hum of crickets beginning. A single lantern hangs by the heavy oak front door, casting a pool of inviting light onto the worn doorstep. The scene is painted in hues of amber, deep green, and warm brown, with a hint of purple twilight in the sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

King's Gardens

outdoor daytime ripe fruit season

A lush garden filled with medlar trees, lemon trees, and banana trees.

Mood: tempting, forbidden

Maria sneaks into the garden twice, encountering the gardener and then the king.

medlar trees lemon trees banana trees rope
Image Prompt & Upload
Golden hour bathes the King's Gardens in a warm, honeyed glow. Lush medlar trees with dark green foliage stand beside vibrant lemon trees heavy with yellow fruit, their citrus scent mingling with the sweet aroma of broad-leafed banana trees. A winding path of smooth, pale flagstone meanders through the verdant growth, leading to a central marble fountain where crystal-clear water trickles softly. The air is still and humid, with golden pollen drifting in the slanting sunbeams. Ancient stone walls draped in climbing ivy border the garden, their surfaces softened by moss. The scene is tranquil, opulent, and bursting with life under a dusky pink and orange sky. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

Royal Palace

indoor

The king's residence, including his bedchamber where he lies sick and later confronts the doll.

Mood: formal, tense, then relieved

The king receives the flower basket with the babies, and later confronts the doll that resembles Maria.

king's bed flower basket couch
Image Prompt & Upload
A grand royal bedchamber in a Gothic palace, late afternoon, stormy weather. Muted gold and crimson fabrics drape a massive, ornate four-poster bed with heavy velvet curtains. A single, pale doll sits unnaturally upright on a velvet chair opposite the bed, its painted eyes catching the dim light. Tall, arched windows reveal a turbulent sky with flashes of lightning, casting dramatic shadows across the stone floor. Candelabras with melting beeswax candles provide a flickering, warm glow, illuminating dust motes in the air. The room is filled with heavy, dark wood furniture, tapestries depicting faded hunts, and a large, cold fireplace. The atmosphere is thick with stillness and unease. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.